Canon K35 Prime Lenses | 16 Titles
Flamin’ Hot (2023)
Directed by | Eva Longoria | Cinematography by | Federico Cantini | Editing by | Kayla Emter, Liza D. Espinas
Cameras | Sony CineAlta VENICE Camera
Lenses | Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Battle of the Sexes (2017)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin
EO (2022)
Directed by | Jerzy Skolimowski | Cinematography by | Michal Dymek | Editing by | Agnieszka Glinska
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Canon K35 Prime Lenses, Leica R Series Lenses
Perfect Days (2023)
Directed by | Wim Wenders | Cinematography by | Franz Lustig | Editing by | Toni Froschhammer
Cameras | Sony CineAlta VENICE 2 Camera
Lenses | Canon K35 Prime Lenses
Al Medina (2015)
Directed by | Omar Shargawi | Cinematography by | Aske Foss | Editing by | Morten Højbjerg, Thomas Papapetros, Omar Shargawi
Cameras | ARRI ALEXA Plus Camera, Beaulieu Cameras
Lenses | Canon K35 100 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 55 mm T1.4 Lens, Canon K35 85 mm T1.3 Lens
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
Honey I Blew Up the Kid (1992)
Directed by | Randal Kleiser | Cinematography by | John Hora | Editing by | Harry Hitner, Michael A. Stevenson
Cameras | Moviecam SuperAmerica Camera, VistaVision Cameras
Lenses | Canon K35 Prime Lenses
Manchester by the Sea (2016)
Directed by | Kenneth Lonergan | Cinematography by | Jody Lee Lipes | Editing by | Jennifer Lame
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Lenses, Canon K35 Prime Lenses
Respire (2014)
Directed by | Mélanie Laurent | Cinematography by | Arnaud Potier | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
American Hustle (2013)
Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers
Detektiv Downs (2013)
Directed by | Bård Breien | Cinematography by | Gaute Gunnari | Editing by | Zaklina Stojcevska
Cameras | ARRI ALEXA Camera
Lilyhammer (2012)
| Cinematography by | Johan-Fredrik Bødtker, Pål Bugge Haagenrud, Jakob Ingimundarson, Anders Flatland, Gaute Gunnari, Hallgrim Haug, Håvar Karlsen | Editing by | Silje Nordseth, Charlotte Kahn, Anders Bergland, Simen Malmø, Veslemøy B. Langvik, Simen Gengenbach, Morten Rørvig, Rodrigo Stoicheff
Cameras | ARRI ALEXA Camera
3 Backyards (2010)
Directed by | Eric Mendelsohn | Cinematography by | Kasper Tuxen | Editing by | Morgan Faust, Eric Mendelsohn, Jeffrey K. Miller
Cameras | Red One Camera
Lenses | Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Aliens (1986)
Directed by | James Cameron | Cinematography by | Adrian Biddle | Editing by | Ray Lovejoy
Lenses | Canon K35 Prime Lenses
