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Fujinon Lenses | 50 Titles

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Parks and Recreation (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Tom Magill, Michael Trim, John Inwood, Peter Smokler, Matt Sohn, Shana Hagan, Johnny Martin, Jacob Pinger | Editing by | Ivan Victor, Dean Holland, Mark Sadlek, Dan Schalk, John M. Valerio, Richie Edelson, Jeff Seibenick, Shawn Paper, Jon Corn, Daniel S. Russ

Starring | Amy Poehler, Jim O'Heir, Nick Offerman, Chris Pratt

Cameras | Sony HDW-F900R Camera, Sony PDW-F800 Camera

Lenses | Fujinon Lenses

Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leica Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.35:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

PEN15 (2019)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Andy Rydzewski | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden

Starring | Maya Erskine, Anna Konkle, Mutsuko Erskine, Melora Walters

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens

Chelsea Lately (2007)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje

Starring | Chuy Bravo, Chelsea Handler, Mike Rock, Heather McDonald

Cameras | Sony Cameras, Sony HDC-1500 Camera, Sony HDC-2500s

Lenses | Fujinon Lenses

Hemingway & Gellhorn (2012)

Television Movie | 2D | Color | 1.78:1 (16x9) | 155 Minutes

Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch

Starring | Nicole Kidman, Clive Owen, David Strathairn, Rodrigo Santoro

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Treasures of the Copper Scroll (2007)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 50 Minutes

Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long

Cameras | Sony Cameras, Sony HDW-F900 Camera

Lenses | Fujinon Lenses, Sony Lenses

Death Note (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi

Starring | Nat Wolff, LaKeith Stanfield, Margaret Qualley, Shea Whigham

Cameras | Panasonic VariCam 35, Panasonic VariCam Camera

Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Status Update (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla

Starring | Ross Lynch, Olivia Holt, Harvey Guillén, Courtney Eaton

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90 mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Wedding Ringer (2015)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong

Starring | Kevin Hart, Josh Gad, Kaley Cuoco, Affion Crockett

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leica Summilux-C Series Lenses

Furious 7 (2015)

Motion Picture | 2D | 2K Project | Color | 137 Minutes

$Paul Walker\'s Final Appearence - Behind the Scenes at ShotOnSet!$

Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Starring | Vin Diesel, Paul Walker, Dwayne Johnson, Jason Statham

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

The Martian (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara

Cameras | GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Tomorrowland (2015)

Motion Picture | 2D, 3D | Color | 1.85:1, 1.90:1, 2.20:1 | 130 Minutes

Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood

Starring | George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

It Follows (2014)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV

Starring | Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe

Cameras | ARRI ALEXA Plus Camera, Red Epic Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Fujinon Lenses

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