Fujinon Lenses | 53 Titles
PEN15 (2019)
| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses
1923 (2022)
| Cinematography by | Corrin Hodgson, Ben Richardson, Robert McLachlan | Editing by | Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers
Cameras | ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Mission: Impossible – Rogue Nation (2015)
Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
An Enchanted (2019)
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Parks and Recreation (2009)
| Cinematography by | Tom Magill, Michael Trim, John Inwood, Peter Smokler, Matt Sohn, Shana Hagan, Johnny Martin, Jacob Pinger | Editing by | Ivan Victor, Dean Holland, Mark Sadlek, Dan Schalk, John M. Valerio, Richie Edelson, Jeff Seibenick, Shawn Paper, Jon Corn, Daniel S. Russ
Cameras | Sony HDW-F900R Camera, Sony PDW-F800 Camera
Lenses | Fujinon Lenses
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
Spud (2009)
Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman
Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera
Lenses | Fujinon Lenses
Mindhunter (2017)
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen
Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
First Man (2018)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Chelsea Lately (2007)
| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses | Fujinon Lenses
Hemingway & Gellhorn (2012)
Directed by | Philip Kaufman | Cinematography by | Rogier Stoffers | Editing by | Walter Murch
Cameras | ARRI ALEXA Camera
Treasures of the Copper Scroll (2007)
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
Death Note (2017)
Directed by | Adam Wingard | Cinematography by | David Tattersall | Editing by | Louis Cioffi
Cameras | Panasonic VariCam 35, Panasonic VariCam Camera
Lenses | Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
Status Update (2018)
Directed by | Scott Speer | Cinematography by | Russ T. Alsobrook | Editing by | Sean Valla
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke S4/i Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses
Ghostbusters (2016)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White
Cameras | ARRI ALEXA XT Camera
Jason Bourne (2016)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Doctor Strange (2016)
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
The Wedding Ringer (2015)
Directed by | Jeremy Garelick | Cinematography by | Bradford Lipson | Editing by | Jeff Groth, Shelly Westerman, Byron Wong
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera