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Fujinon Lenses | 59 Titles

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Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.39:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

Lost Gold of WW2 (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios

Starring | John Casey, Bingo Minerva, Manny Paez, Brad Carr

Cameras | GoPro HERO5 Black, Sony PXW-FS7 Camera, Sony α7R II Camera, Sony α7S II Camera

Lenses | Fujinon Premier Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Only the Brave (2017)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Billy Fox

Starring | Josh Brolin, Miles Teller, Jeff Bridges

Cameras | Sony CineAlta F65 Camera

Lenses | Fujinon Premier Lenses, Zeiss Master Prime Lenses

Star Wars: Episode III – Revenge of the Sith (2005)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Samuel L. Jackson

Cameras | Sony HDC-F950 Camera

Lenses | Fujinon C Series Lenses, Fujinon E Series Lenses

1923 (2022)

Television Series | 2D | Color | 60 Minutes

| Cinematography by | Corrin Hodgson, Ben Richardson, Robert McLachlan | Editing by | Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Starring | Harrison Ford, Helen Mirren, Brandon Sklenar

Cameras | ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

The Killer (2023)

Motion Picture | 2D | 4K Project | Color | 118 Minutes

Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter

Starring | Michael Fassbender, Tilda Swinton, Charles Parnell

Cameras | Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Nyad (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Claudio Miranda | Editing by | Christopher Tellefsen

Starring | Annette Bening, Jodie Foster, Anne Marie Kempf

Cameras | Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses | Fujinon Lenses, Zeiss Master Prime Lenses

PEN15 (2019)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Andy Rydzewski, Adam Silver, Bella Gonzales | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden, John Daigle, Michael Scotti Jr.

Starring | Maya Erskine, Anna Konkle, Melora Walters

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Ultra Prime Lenses

Mission: Impossible – Rogue Nation (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Christopher McQuarrie | Cinematography by | Robert Elswit | Editing by | Eddie Hamilton

Starring | Tom Cruise, Rebecca Ferguson, Jeremy Renner

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

An Enchanted (2019)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 103 Minutes

Directed by | Christian Cashmir | Editing by | Christian Cashmir

Starring | Yao Tsai, Quinton Aaron, Ashleigh Blackburn

Cameras | ARRI ALEXA Mini Camera

Lenses | Canon CN-E Series Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

Parks and Recreation (2009)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Tom Magill, Michael Trim, John Inwood, Peter Smokler, Matt Sohn, Shana Hagan, Johnny Martin, Jacob Pinger | Editing by | Ivan Victor, Dean Holland, Mark Sadlek, Dan Schalk, John M. Valerio, Richie Edelson, Jeff Seibenick, Shawn Paper, Jon Corn, Daniel S. Russ

Starring | Amy Poehler, Jim O'Heir, Nick Offerman, Chris Pratt

Cameras | Sony HDW-F900R Camera, Sony PDW-F800 Camera

Lenses | Fujinon Lenses

Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

Mindhunter (2017)

Television Series | 2D | 6K Project | Color | 2.20:1 | 60 Minutes

| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen

Starring | Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross

Cameras | Red Xenomorph Camera

Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens

First Man (2018)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 141 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler

Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Chelsea Lately (2007)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje

Starring | Chuy Bravo, Chelsea Handler, Mike Rock, Heather McDonald

Cameras | Sony Cameras, Sony HDC-1500 Camera, Sony HDC-2500s

Lenses | Fujinon Lenses

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