Direct to Video | 404 Titles
Genesis: Live at Wembley Stadium (1988)
Country | UK
Type | Direct to Video
Running Time | 120 Minutes
Directed by | James Yukich | Editing by | Jerry Behrensmodified:
Treasures of the Copper Scroll (2007)
Country | USA
Type | Direct to Video, Documentary
Running Time | 50 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring |
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
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The Professionals: Funk It Up (2012)
Country | Singapore
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Directed by | Scott Wernermodified:
Venice Beach Skate Park: Factec TS3Cine (2012)
Family Force 5: Cray Button (2012)
Country | USA
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Directed by | Isaac Deitz
Cameras | Fastec Imaging TS3Cine Camera
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HERRA TERRA: Reason to Lose It (2013)
Country | USA
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Directed by | Torey Champagne | Cinematography by | Tom Guilmette
Cameras | Fastec Imaging TS3Cine Camera
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Setia Band: Pengorbanan (2015)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Starring |
Cameras | Fastec Imaging TS3Cine Camera
modified:
Nadira Adnan Feat. Al Ghazali: Cinta Datang Dan Pergi (2015)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Starring |
Cameras | Fastec Imaging TS3Cine Camera
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KOTAK: Rock N Love (2014)
Mulan Jameela feat. Mike Mohede: Tiada Kata (2016)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Starring |
Cameras | Fastec Imaging TS3Cine Camera
modified:
Mike Mohede: Kucinta Dirinya (2014)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Starring |
Cinematography by | Tono Wisnu
Cameras | Fastec Imaging TS3Cine Camera
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Mahadewi Dewi Dewi: Jauh Semakin Jauh (2014)
Country | Indonesia
Type | Direct to Video
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Starring |
Cameras | Fastec Imaging TS3Cine Camera
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A Ghost in the Making: Searching for the Rusty-patched Bumble Bee (2016)
Country | USA
Type | Direct to Video, Short Film
Starring |
Directed by | Morgan Heim, Neil Losin | Cinematography by | Clay Bolt, Doug Gardner, Neil Losin, Roshan Patel
Cameras | Fastec Imaging TS5 Camera
modified:
No Time for Nuts (2006)
Country | USA
Type | Direct to Video, Short Film
Running Time | 7 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Chris Renaud, Mike Thurmeier | Editing by | James Palumbomodified:
Gone Nutty (2002)
Country | USA
Type | Direct to Video, Short Film
Running Time | 5 Minutes
Aspect Ratio | 1.78:1 (16x9)
Starring |
Directed by | Carlos Saldanha | Editing by | Tim Nordquistmodified:
Mike’s New Car (2002)
Country | USA
Type | Direct to Video, Short Film
Running Time | 4 Minutes
Aspect Ratio | 1.37:1
Directed by | Pete Docter, Roger Gould | Editing by | Robert Grahamjonesmodified:
Algorithm (2014)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.85:1
Directed by | Jon Schiefer | Cinematography by | Satsuki Murashige | Editing by | Jon Schiefer
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon L Series Lenses
modified:
The Red Planet: Mars (1999)
Country | USA
Type | Direct to Video, Documentary
Running Time | 90 Minutes
Starring |
Cameras | Panavision Cameras
Lenses | Panavision Lenses
modified:
Scream Bloody Murder (2003)
Country | USA
Type | Direct to Video
Running Time | 88 Minutes
Directed by | Jon Hoffman | Cinematography by | John Lazear | Editing by | Dave Rock
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
modified:
Con Games (2001)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Angenieux Lenses
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