Direct to Video | 397 Titles
Venice Beach Skate Park: Factec TS3Cine (2012)
Apocalypse and the Beauty Queen (2005)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Starring ~ Taylor Asberry,
Beverly Hynds,
Courtney Kocak
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
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The Professionals: Funk It Up (2012)
Country | Singapore
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Teague Bass,
Luke Buirski,
John Klass
Directed by | Scott Wernermodified:
KOTAK: Rock N Love (2014)
Mulan Jameela feat. Mike Mohede: Tiada Kata (2016)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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Nadira Adnan Feat. Al Ghazali: Cinta Datang Dan Pergi (2015)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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Setia Band: Pengorbanan (2015)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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HERRA TERRA: Reason to Lose It (2013)
Country | USA
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Starring ~ Brittany Baldi,
Joshua Carr,
Janice Checchio
Directed by | Torey Champagne | Cinematography by | Tom Guilmette
Cameras | Fastec Imaging TS3Cine Camera
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Family Force 5: Cray Button (2012)
Country | USA
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Directed by | Isaac Deitz
Cameras | Fastec Imaging TS3Cine Camera
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Mahadewi Dewi Dewi: Jauh Semakin Jauh (2014)
Country | Indonesia
Type | Direct to Video
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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Mike Mohede: Kucinta Dirinya (2014)
Country | Indonesia
Type | Direct to Video
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1280x720 - (1.78:1) Capture Resolution
Cameras | Fastec Imaging TS3Cine Camera
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No Time for Nuts (2006)
Country | USA
Type | Direct to Video, Short Film
Aspect Ratio | 1.78:1 (16x9)
Starring ~ David Crommett,
Darin De Paul,
Dann Fink
Directed by | Chris Renaud, Mike Thurmeier | Editing by | James Palumbomodified:
Gone Nutty (2002)
Country | USA
Type | Direct to Video, Short Film
Running Time | 5 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Carlos Saldanha | Editing by | Tim Nordquistmodified:
Mike’s New Car (2002)
Country | USA
Type | Direct to Video, Short Film
Running Time | 4 Minutes
Aspect Ratio | 1.37:1
Starring ~ Billy Crystal,
John Goodman
Directed by | Pete Docter, Roger Gould | Editing by | Robert Grahamjonesmodified:
Algorithm (2014)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.85:1
Starring ~ Raphael Barker,
Keith Barletta,
Julie Ceballos
Directed by | Jon Schiefer | Cinematography by | Satsuki Murashige | Editing by | Jon Schiefer
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon L Series Lenses
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The Red Planet: Mars (1999)
Country | USA
Type | Direct to Video, Documentary
Running Time | 90 Minutes
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Scream Bloody Murder (2003)
Country | USA
Type | Direct to Video
Starring ~ Stephanie Northrup,
Tara Thomson,
Anna Florence
Directed by | Jon Hoffman | Cinematography by | John Lazear | Editing by | Dave Rock
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
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Con Games (2001)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Starring ~ Eric Roberts,
Tommy Lee Thomas,
Martin Kove
Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Angenieux Lenses
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The Apostate: Call of the Revenant (2015)
Country | UK
Type | Direct to Video, Motion Picture
Running Time | 82 Minutes
Aspect Ratio | 1.78:1 (16x9), 2.40:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Starring ~ Jay Bryhan,
Terri Dwyer,
Anthony Webster
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
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Deliver Us from Evil: Sarchie (2014)
Country | USA
Type | Direct to Video, Motion Picture
Aspect Ratio | 2.39:1
Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
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