Director
'House of Cards' Chapter 22 (2014)
| USA
Directed by: Jodie Foster
Cinematography by: Igor Martinovic
Edited by: Lisa Bromwell
Delacourt
Elysium (2013)
| USA
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Director, Meredith Black
The Beaver (2011)
| USA, United Arab Emirates
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Penelope Longstreet
Carnage (2011)
| France, Germany, Poland, Spain
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Alexandra Rover
Nim's Island (2008)
| USA
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Erica Bain, Executive Producer
The Brave One (2007)
| USA
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Madeleine White
Inside Man (2006)
| USA
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Kyle Pratt
Flightplan (2005)
| USA
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Elodie Gordes
A Very Long Engagement (2004)
| France, USA
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Cooke S4 Lenses
Meg Altman
Panic Room (2002)
| USA
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Producer, Sister Assumpta
The Dangerous Lives of Altar Boys (2002)
| USA
Directed by: Peter Care
Cinematography by: Lance Acord
Edited by: Chris Peppe
Anna Leonowens
Anna and the King (1999)
| USA
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Eleanor Arroway
Contact (1997)
| USA
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Director, Producer
Home for the Holidays (1995)
| USA
Directed by: Jodie Foster
Cinematography by: Lajos Koltai
Edited by: Lynzee Klingman
Annabelle Bransford
Maverick (1994)
| USA
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Nell, Producer
Nell (1994)
| USA
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Jim Clark
Laurel
Sommersby (1993)
| France, USA
Directed by: Jon Amiel
Cinematography by: Philippe Rousselot
Edited by: Peter Boyle
Prostitute
Shadows and Fog (1991)
| USA
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Clarice Starling
The Silence of the Lambs (1991)
| USA
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Anne Benton
Catchfire (1990)
| USA
Cinematography by: Edward Lachman
Edited by: David Rawlins
Cameras: Cinerama Camera, Moviecam Cameras
Sarah Tobias
The Accused (1988)
| Canada, USA
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Cameras: Panavision Cameras
Co-producer, Victoria
Mesmerized (1985)
| Australia, New Zealand, UK
Directed by: Michael Laughlin
Cinematography by: Louis Horvath
Edited by: Petra von Oelffen
Frannie Berry
The Hotel New Hampshire (1984)
| UK, Canada, USA
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Iris
Taxi Driver (1976)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: ARRI / Zeiss Lenses
Audrey
Alice Doesn't Live Here Anymore (1974)
| USA
Directed by: Martin Scorsese
Cinematography by: Kent L. Wakeford
Edited by: Marcia Lucas
Rita
Kansas City Bomber (1972)
| USA
Directed by: Jerrold Freedman
Cinematography by: Fred J. Koenekamp
Edited by: David Berlatsky
