Himself - Interviewee
'Anthony Bourdain: Parts Unknown' Budapest (2015)
Directed by: Toby Oppenheimer
Cinematography by: Zach Zamboni
Himself - Interviewee
Anthony Bourdain: Parts Unknown (2013)
| USA
Directed by: Tom Vitale, Michael Steed, Sally Freeman, Toby Oppenheimer, Ben Selkow, Erik Osterholm, Nick Brigden, Jesse Sweet, Jared Andrukanis, Ryan Miller, Morgan Fallon, Asia Argento, Steve Rivo
Cinematography by: Zach Zamboni, Frederic Menou, Morgan Fallon, Todd Liebler, Ian McGlocklin, Jeremy Leach, Jerry Risius, Alan Jacobsen, Nick Brigden, Ethan Mills, David Holloway, Tarik Hameedi, Christopher Doyle, Alexander W. Lewis
Edited by: Jesse S. Fisher, Mustafa Bhagat, Tom Patterson, Hunter Gross, Angie Dix, Eric Lasby, Jon Philpot, Nick Brigden, Chris Martinez, Rachel Whitaker, Ephraim Kirkwood, Jennifer McGarrity, Bobby Zeleny
Cameras: SinaCAM HDC1-100 Camera
Camera Operator, Cinematographer
Kickstart Theft (2012)
| USA
Directed by: Fred Goodich
Cinematography by: Vilmos Zsigmond
Edited by: Gib Jaffe
Cameras: Sony CineAlta F65 Camera
Lenses: Canon CN-E 30-105 mm T2.8 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Editing System: Avid Editing System
Director Of Photography
A halálba táncoltatott leány (2011)
| Hungary, Canada, Slovenia
Directed by: Endre Hules
Edited by: Mark Adam
Cinematographer
You Will Meet a Tall Dark Stranger (2010)
| USA, Spain
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Cinematographer
Cassandra's Dream (2007)
| USA, UK, France
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Cinematographer
The Black Dahlia (2006)
| USA, Germany, France
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Director Of Photography: Los Angeles
Timeline (2003)
| USA
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Cinematographer
Bánk bán (2002)
| Hungary
Directed by: Csaba Káel
Cinematography by: Vilmos Zsigmond
Edited by: Thomas Ernst
Director Of Photography
Life as a House (2001)
| USA
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Cinematographer
The Body (2001)
| USA, Israel, Germany
Directed by: Jonas McCord
Cinematography by: Vilmos Zsigmond
Director Of Photography
Playing by Heart (1998)
| USA
Directed by: Willard Carroll
Cinematography by: Vilmos Zsigmond
Edited by: Pietro Scalia
Cameras: Panavision Panaflex Platinum Camera
Cinematographer
The Ghost and the Darkness (1996)
| Germany, USA
Directed by: Stephen Hopkins
Cinematography by: Vilmos Zsigmond
Cinematographer
The Crossing Guard (1995)
| USA
Directed by: Sean Penn
Cinematography by: Vilmos Zsigmond
Edited by: Jay Cassidy
Cameras: Panavision Cameras
Cinematographer
Assassins (1995)
| France, USA
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Albert Bierstadt, Cinematographer
Maverick (1994)
| USA
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Director Of Photography
Intersection (1994)
| USA
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner
Director Of Photography
The Bonfire of the Vanities (1990)
| USA
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Cinematographer
The Two Jakes (1990)
| USA
Directed by: Jack Nicholson
Cinematography by: Vilmos Zsigmond
Edited by: Anne Goursaud
Director Of Photography
Fat Man and Little Boy (1989)
| USA
Directed by: Roland Joffé
Cinematography by: Vilmos Zsigmond
Edited by: Françoise Bonnot
Cinematographer
The Witches of Eastwick (1987)
| USA
Directed by: George Miller
Cinematography by: Vilmos Zsigmond
Cinematographer
No Small Affair (1984)
| USA
Directed by: Jerry Schatzberg
Cinematography by: Vilmos Zsigmond
Cinematographer
The River (1984)
| USA
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Cinematographer
Table for Five (1983)
| USA
Directed by: Robert Lieberman
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Cinematographer
Jinxed! (1982)
| USA
Directed by: Don Siegel
Cinematography by: Vilmos Zsigmond
Edited by: Douglas Stewart
Cameras: Panavision Cameras
Additional Photographer / Camera Operator: Additional Photography
The Border (1982)
| USA
Directed by: Tony Richardson
Cinematography by: Ric Waite
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Director Of Photography
Blow Out (1981)
| USA
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Paul Hirsch
Cinematographer
Heaven's Gate (1980)
| USA
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Cinematographer
Winter Kills (1979)
| USA
Directed by: William Richert
Cinematography by: Vilmos Zsigmond
Edited by: David Bretherton
Director Of Photography
The Deer Hunter (1978)
| USA, UK
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Edited by: Peter Zinner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Director Of Photography
The Last Waltz (1978)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Director Of Photography
Close Encounters of the Third Kind (1977)
| USA
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography
The Sugarland Express (1974)
| USA
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Director Of Photography
Cinderella Liberty (1973)
| USA
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Patrick Kennedy
Cinematographer - Photographed By
The Long Goodbye (1973)
| USA
Directed by: Robert Altman
Cinematography by: Vilmos Zsigmond
Edited by: Lou Lombardo
Director Of Photography
Deliverance (1972)
| USA
Directed by: John Boorman
Cinematography by: Vilmos Zsigmond
Edited by: Tom Priestley
Cameras: Panavision Cameras