Panavision Panaflex Millennium Camera | 67 Titles
Clouds of Sils Maria (2014)
Country | France, Germany, Switzerland
Type | Motion Picture
Running Time | 124 Minutes
Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monnier
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Volver (2006)
Country | Spain
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
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The Mentalist (2008)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe | Editing by | Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick
Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
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Harold & Kumar Go to White Castle (2004)
Country | USA, Canada, Germany
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.85:1
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
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Boardwalk Empire (2010)
Country | USA
Type | Television Series
Running Time | 55 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
modified:
Dr. Dolittle 2 (2001)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 2.35:1
Directed by | Steve Carr | Cinematography by | Daryn Okada | Editing by | Craig Herring
Lenses | Panavision Primo Anamorphic Lenses
modified:
De-Lovely (2004)
Country | UK, USA
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 2.35:1
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
The Big Empty (2005)
Country | USA
Type | Motion Picture
Running Time | 20 Minutes
Aspect Ratio | 1.85:1
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Judy Moody and the Not Bummer Summer (2011)
Country | USA
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 1.85:1
Directed by | John Schultz | Cinematography by | Shawn Maurer | Editing by | John Pace
modified:
Jennifer’s Body (2009)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
All the Boys Love Mandy Lane (2006)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | Jonathan Levine | Cinematography by | Darren Genet | Editing by | Josh Noyes
modified:
Holy Smoke (1999)
Country | USA, Australia
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 1.85:1
Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
The Legend of Zorro (2005)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.35:1
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Something Borrowed (2011)
Country | USA
Type | Motion Picture
Running Time | 112 Minutes
Aspect Ratio | 1.85:1
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Take (2007)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 2.35:1
Directed by | Charles Oliver | Cinematography by | Tristan Whitman | Editing by | Andrew McAllister
Lenses | Panavision Primo Anamorphic Lenses
modified:
Thank You for Smoking (2005)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
modified:
Blow (2001)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Rush Hour 2 (2001)
Country | Hong Kong, USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 2.39:1
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera
modified:
Big Miracle (2012)
Country | USA, UK
Type | Motion Picture
Running Time | 107 Minutes
Aspect Ratio | 2.35:1
Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
modified:
The Mothman Prophecies (2002)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Directed by | Mark Pellington | Cinematography by | Fred Murphy | Editing by | Brian Berdan
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
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