Panavision Panaflex Millennium Camera | 68 Titles
Unbreakable (2000)
106 Minutes
Directed by | M. Night Shyamalan | Cinematography by | Eduardo Serra | Editing by | Dylan Tichenor Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
Shutter Island (2010)
138 Minutes
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
modified:
Van Helsing (2004)
131 Minutes
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim Maymodified:
Clouds of Sils Maria (2014)
124 Minutes
Directed by | Olivier Assayas | Cinematography by | Yorick Le Saux | Editing by | Marion Monniermodified:
Volver (2006)
121 Minutes
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
The Mentalist (2008)
43 Minutes
| Cinematography by | Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe | Editing by | Christopher Cibelli, David Ekstrom, Glenn Farr, James Gadd, Joseph Butler, Anthony J. Rivard, Paul Karasick Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
modified:
Harold & Kumar Go to White Castle (2004)
88 Minutes
Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
modified:
Boardwalk Empire (2010)
55 Minutes
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
modified:
Dr. Dolittle 2 (2001)
87 Minutes
Directed by | Steve Carr | Cinematography by | Daryn Okada | Editing by | Craig Herring Lenses | Panavision Primo Anamorphic Lenses
modified:
De-Lovely (2004)
125 Minutes
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
The Big Empty (2005)
20 Minutes
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Judy Moody and the Not Bummer Summer (2011)
91 Minutes
Directed by | John Schultz | Cinematography by | Shawn Maurer | Editing by | John Pacemodified:
Jennifer’s Body (2009)
102 Minutes
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
All the Boys Love Mandy Lane (2006)
90 Minutes
Directed by | Jonathan Levine | Cinematography by | Darren Genet | Editing by | Josh Noyesmodified:
Holy Smoke (1999)
115 Minutes
Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
The Legend of Zorro (2005)
129 Minutes
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Something Borrowed (2011)
112 Minutes
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
modified:
Take (2007)
98 Minutes
Directed by | Charles Oliver | Cinematography by | Tristan Whitman | Editing by | Andrew McAllister Lenses | Panavision Primo Anamorphic Lenses
modified:
Thank You for Smoking (2005)
92 Minutes
Directed by | Jason Reitman | Cinematography by | Jim Whitaker | Editing by | Dana E. Glauberman Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
modified:
Blow (2001)
124 Minutes
Directed by | Ted Demme | Cinematography by | Ellen Kuras | Editing by | Kevin Tent Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
modified:
