See product pages for our various lenses.
Cooke Lenses | 438 Titles
Phone: +1 44 (0)116 264 0700 / +1 973 335 4460
Contact: Alison Greene
Cooke Optics Limited is known worldwide for precision, exacting tolerances and superior quality in the design and manufacture of motion picture lenses since 1893. Current products Cooke S4/i, 5/i, miniS4/i, Anamorphic/i, Anamorphic/i SF, Anamorphic/i 35-140mm Zoom, Panchro/i Classic, S7/i Full Frame Plus lenses, Cooke Lens Projector, Multi Mounts.
Sofia (2018)
Country | France, Qatar, Belgium, Morocco
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 1.85:1
Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
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Mr. Robot (2015)
Country | USA
Type | Television Series
Running Time | 49 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Tod Campbell, Tim Ives | Editing by | Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson
Cameras | Red Epic Dragon Camera
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Secuestro (2016)
Country | Spain
Type | Motion Picture
Running Time | 105 Minutes
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca
Cameras | ARRI ALEXA XT Plus Camera
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Munich (2005)
Country | France, Canada, USA
Type | Motion Picture
Running Time | 164 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Lenses
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PEN15 (2019)
Country | USA
Type | Television Series
Running Time | 30 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Andy Rydzewski | Editing by | Taichi Erskine, Matt McBrayer, Amelia Allwarden
Cameras | ARRI ALEXA Mini Camera
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Free Rein (2014)
Country | Canada
Type | Television Series
Running Time | 24 Minutes
Directed by | Stefan Morel | Cinematography by | Stefan Morel
Lenses | Cooke S4/i Lenses
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Measure of a Man (2018)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Jim Loach | Cinematography by | Denson Baker | Editing by | Dany Cooper
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
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True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Call the Midwife (2012)
Country | UK
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce | Editing by | Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras | ARRIFLEX D-21 Camera
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American Pie 2 (2001)
Country | USA
Type | Motion Picture
Running Time | 108 Minutes
Directed by | J.B. Rogers | Cinematography by | Mark Irwin | Editing by | Larry Madaras, Stuart H. Pappé
Cameras | Moviecam Compact Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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Gamer (2009)
Country | USA
Type | Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Ekkehart Pollack | Editing by | Peter Amundson, Fernando Villena, Doobie White
Cameras | ARRIFLEX 435 Camera, Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Altered Carbon (2018)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 2.0:1
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
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R.L. Stine’s The Haunting Hour (2010)
Country | USA, Canada
Type | Television Series
Running Time | 23 Minutes
| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens
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The Flash (2014)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | C. Kim Miles, Brenton Spencer, Stewart Whelan, Alwyn Kumst, Jeffrey C. Mygatt, Glen Winter, Jan Kiesser, Bruce Worrall, Craig Wright, Ronald Richard | Editing by | Nathan Draper, Felicia Mignon Livingston, Christopher Oakes, Chris Peppe, Chris Conlee, Harry Jierjian, Paul Karasick, Dan Wilken, Rhett Finch, Mike Jackson, Iris Hershner, Andrew Kasch, Derek Stricker
Cameras | ARRI ALEXA Camera, ARRI ALEXA Series Cameras, ARRI Cameras, Sony Cameras, Sony α7 Series Cameras, Sony α7S II Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290mm T2.8 Lens, Cooke 5/i Lenses, Cooke Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens
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Hulk (2003)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 1.85:1
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
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Crown Vic (2019)
Country | USA
Type | Motion Picture
Running Time | 100 Minutes
Aspect Ratio | 2.39:1
Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens
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The Neon Demon (2016)
Country | Denmark, France, USA, UK
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicolas Winding Refn | Cinematography by | Natasha Braier | Editing by | Matthew Newman
Lenses | Cooke Lenses, Cooke Xtal Express Lenses
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Three Night Stand (2013)
Country | Canada
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis
Cameras | ARRI ALEXA FR Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
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Pickings (2018)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution, 5120x2700 - (1.90:1) Capture Resolution
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan
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