Hank Forrester
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Producer
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Will Gerard
Seeking Justice (2011)
Directed by: Roger Donaldson
Cinematography by: David Tattersall
Edited by: Jay Cassidy
Cameras: Panavision Genesis Camera
Kyle Miller
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Johnny Blaze / Ghost Rider
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Damon Macready / Big Daddy
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Balthazar, Executive Producer
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
John Koestler
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Terence McDonagh
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Johnny Blaze / Ghost Rider
Ghost Rider (2007)
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Cris Johnson, Producer
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Fu Manchu (segment "Werewolf Women Of The SS")
Grindhouse (2007)
Edward Malus, Producer
The Wicker Man (2006)
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
John McLoughlin
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Producer, Yuri Orlov
Lord of War (2005)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
David Spritz
The Weather Man (2005)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Benjamin Franklin Gates
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Producer
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Roy Waller
Matchstick Men (2003)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Charlie Kaufman / Donald Kaufman
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Jack Campbell
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Producer
Shadow of the Vampire (2000)
Directed by: E. Elias Merhige
Cinematography by: Lou Bogue
Edited by: Chris Wyatt
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
Frank Pierce
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Tom Welles
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Rick Santoro
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Seth
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Cameron Poe
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Castor Troy
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Stanley Goodspeed
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Little Junior Brown
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Ben Sanderson
Leaving Las Vegas (1995)
Directed by: Mike Figgis
Cinematography by: Declan Quinn
Edited by: John Smith
Doug Chesnic
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Charlie Lang
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Eddie
Deadfall (1993)
Directed by: Christopher Coppola
Cinematography by: Maryse Alberti
Edited by: Phillip Linson
Michael
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Jack Singer
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Sailor Ripley
Wild at Heart (1990)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
H.I. McDunnough
Raising Arizona (1987)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Charlie Bodell
Peggy Sue Got Married (1986)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Al Columbato
Birdy (1984)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Vincent Dwyer
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Brad's Bud
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
