Seamus McGarvey

25 Titles

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Bad Times at the El Royale | ShotOnWhat?

Director Of Photography

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Greatest Showman | ShotOnWhat?

Director Of Photography

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Darkest Hour | ShotOnWhat?

Director Of Photography: Additional Photography

Darkest Hour (2017)

Directed by: Joe Wright

Cinematography by: Bruno Delbonnel

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Accountant | ShotOnWhat?

Director Of Photography

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Fifty Shades of Grey | ShotOnWhat?

Director Of Photography

Fifty Shades of Grey (2015)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pan | ShotOnWhat?

Director Of Photography

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Godzilla | ShotOnWhat?

Director Of Photography

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Anna Karenina | ShotOnWhat?

Director Of Photography

Anna Karenina (2012)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Melanie Oliver

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Avengers | ShotOnWhat?

Director Of Photography

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

We Need to Talk About Kevin | ShotOnWhat?

Director Of Photography

We Need to Talk About Kevin (2011)

Directed by: Lynne Ramsay

Cinematography by: Seamus McGarvey

Edited by: Joe Bini

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Thor | ShotOnWhat?

Director Of Photography: Post-credits Scene

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Soloist | ShotOnWhat?

Director Of Photography

The Soloist (2009)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Nowhere Boy | ShotOnWhat?

Director Of Photography

Nowhere Boy (2009)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Atonement | ShotOnWhat?

Director Of Photography

Atonement (2007)

Directed by: Joe Wright

Cinematography by: Seamus McGarvey

Edited by: Paul Tothill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System

World Trade Center | ShotOnWhat?

Director Of Photography

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Charlotte's Web | ShotOnWhat?

Director Of Photography

Charlotte's Web (2006)

Directed by: Gary Winick

Cinematography by: Seamus McGarvey

Edited by: Susan Littenberg, Sabrina Plisco

Sahara | ShotOnWhat?

Director Of Photography

Sahara (2005)

Directed by: Breck Eisner

Cinematography by: Seamus McGarvey

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Along Came Polly | ShotOnWhat?

Director Of Photography

Along Came Polly (2004)

Directed by: John Hamburg

Cinematography by: Seamus McGarvey

Edited by: William Kerr, Nick Moore

Ali G Indahouse | ShotOnWhat?

Additional Camera Operator / Director Of Photography: Additional Photography

Ali G Indahouse (2002)

Directed by: Mark Mylod

Cinematography by: Ashley Rowe

Edited by: Paul Knight

The Hours | ShotOnWhat?

Director Of Photography

The Hours (2002)

Directed by: Stephen Daldry

Cinematography by: Seamus McGarvey

Edited by: Peter Boyle

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Enigma | ShotOnWhat?

Director Of Photography

Enigma (2001)

Directed by: Michael Apted

Cinematography by: Seamus McGarvey

Edited by: Rick Shaine

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Wit | ShotOnWhat?

Cinematographer

Wit (2001)

Television Movie

Directed by: Mike Nichols

Cinematography by: Seamus McGarvey

Edited by: John Bloom

The War Zone | ShotOnWhat?

Director Of Photography

The War Zone (1999)

Directed by: Tim Roth

Cinematography by: Seamus McGarvey

Edited by: Trevor Waite

The Winter Guest | ShotOnWhat?

Cinematographer

The Winter Guest (1997)

Directed by: Alan Rickman

Cinematography by: Seamus McGarvey

Edited by: Scott Thomas

Cameras: Panavision Cameras

Butterfly Kiss | ShotOnWhat?

Cinematographer

Butterfly Kiss (1995)

Directed by: Michael Winterbottom

Cinematography by: Seamus McGarvey

Edited by: Trevor Waite

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