John Mathieson

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Cinematographer

Pokémon Detective Pikachu (2019)

Motion Picture

| USA, Japan, UK, Canada

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Cinematographer

Mary Queen of Scots (2018)

Motion Picture

| UK, USA

Directed by: Josie Rourke

Cinematography by: John Mathieson

Edited by: Chris Dickens

Cameras: Panavision Millennium DXL Camera, Red Epic Helium Camera

Director Of Photography

King Arthur: Legend of the Sword (2017)

Motion Picture

| USA, UK

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Director Of Photography

Logan (2017)

Motion Picture

| USA

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Director Of Photography

Pan (2015)

Motion Picture

| USA, UK, Australia

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Director Of Photography

The Man from U.N.C.L.E. (2015)

Motion Picture

| USA, UK

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Director Of Photography: Additional Photography

Dracula Untold (2014)

Motion Picture

| USA, Japan

Directed by: Gary Shore

Cinematography by: John Schwartzman

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Director Of Photography

47 Ronin (2013)

Motion Picture

| USA, UK, Japan, Hungary

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Director Of Photography: Title Sequence

Skyfall (2012)

Motion Picture

| UK, USA

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Stuart Baird

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Himself

Side by Side (2012)

Motion Picture

| USA

Directed by: Christopher Kenneally

Cinematography by: Chris Cassidy

Edited by: Malcolm Hearn, Mike Long

Director Of Photography

Great Expectations (2012)

Motion Picture

| UK, USA

Directed by: Mike Newell

Cinematography by: John Mathieson

Edited by: Tariq Anwar

Director Of Photography

X: First Class (2011)

Motion Picture

| USA, UK

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Director Of Photography

Brighton Rock (2010)

Motion Picture

| UK

Directed by: Rowan Joffe

Cinematography by: John Mathieson

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

Cinematographer

Burke and Hare (2010)

Motion Picture

| UK

Directed by: John Landis

Cinematography by: John Mathieson

Edited by: Mark Everson

Cinematographer

Robin Hood (2010)

Motion Picture

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Director Of Photography

Boogie Woogie (2009)

Motion Picture

| UK

Directed by: Duncan Ward

Cinematography by: John Mathieson

Edited by: Kant Pan

Cameras: Panavision Cameras

Director Of Photography

August Rush (2007)

Motion Picture

| USA

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Cinematographer

Kingdom of Heaven (2005)

Motion Picture

| UK, Germany, Spain, Morocco, USA

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Cinematographer

The Phantom of the Opera (2004)

Motion Picture

| UK, USA

Directed by: Joel Schumacher

Cinematography by: John Mathieson

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Director Of Photography

Matchstick Men (2003)

Motion Picture

| USA, UK

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Director Of Photography

Hannibal (2001)

Motion Picture

| USA, UK, Italy

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Director Of Photography

K-PAX (2001)

Motion Picture

| USA, Germany

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

Director Of Photography

Gladiator (2000)

Motion Picture

| USA, UK, Malta, Morocco

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Cinematographer

Plunkett & Macleane (1999)

Motion Picture

| UK

Directed by: Jake Scott

Cinematography by: John Mathieson

Edited by: Oral Norrie Ottey

Cinematographer

Vigo (1998)

Motion Picture

| France, UK, Spain, Germany, USA

Directed by: Julien Temple

Cinematography by: John Mathieson

Edited by: Marie-Thérèse Boiché

Visual Effects Director Of Photography: Mill Film

Enemy of the State (1998)

Motion Picture

| USA

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: Chris Lebenzon

Clapper / Loader

Caravaggio (1986)

Motion Picture

| UK

Directed by: Derek Jarman

Cinematography by: Gabriel Beristain

Edited by: George Akers

Cameras: Moviecam Cameras

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John Mathieson

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Cinematographer

Cinematographer

Director Of Photography

Director Of Photography

Director Of Photography

Director Of Photography

Director Of Photography: Additional Photography

Director Of Photography

Director Of Photography: Title Sequence

Himself

Director Of Photography

Director Of Photography

Director Of Photography

Cinematographer

Cinematographer

Director Of Photography

Director Of Photography

Cinematographer

Cinematographer

Director Of Photography

Director Of Photography

Director Of Photography

Director Of Photography

Cinematographer

Cinematographer

Visual Effects Director Of Photography: Mill Film

Clapper / Loader