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Cooke Varotal Lenses | 24 Titles

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Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

$Last Days of Kubrick\'s Life - Behind the Scenes at ShotOnSet!$

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Barry Lyndon (1975)

Motion Picture | 2D | Color | 1.66:1 | 185 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson

Starring | Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera

Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens

Paradise Now (2005)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos

Starring | Kais Nashif, Ali Suliman, Lubna Azabal, Hamza Abu-Aiaash

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Transformers (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 144 Minutes

The Man from U.N.C.L.E. (2015)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki

Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Labor Day (2013)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses

The Heart Machine (2014)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford

Starring | John Gallagher Jr., Kate Lyn Sheil, Louisa Krause, David Call

Cameras | ARRI ALEXA Camera

Lenses | Cooke Varotal Lenses, Zeiss Lenses

Ray (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 152 Minutes

Directed by | Taylor Hackford | Cinematography by | Pawel Edelman | Editing by | Paul Hirsch

Starring | Jamie Foxx, Regina King, Kerry Washington, Clifton Powell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Star Wars: Episode VI – Return of the Jedi (1983)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 131 Minutes

$Jabba\'s Sail Barge Set : Return of the Jedi - Behind the Scenes at ShotOnSet!$

Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

ParaNorman (2012)

Motion Picture | 3D | Color | 2.39:1 | 92 Minutes

Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie

Starring | Kodi Smit-McPhee, Anna Kendrick, Christopher Mintz-Plasse, Tucker Albrizzi

Cameras | Canon EOS-5D Mark II Camera

Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses

Being Julia (2004)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton

Starring | Annette Bening, Michael Gambon, Maury Chaykin, Jeremy Irons

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Varotal Lenses

The Piano Teacher (2001)

Motion Picture | 2D | Color | 1.85:1 | 131 Minutes

Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi

Starring | Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne Lothar

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses, Cooke Varotal Lenses

One from the Heart (1981)

Motion Picture | Color | 107 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts

Starring | Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Super Cine Varotal 25-250mm f2.8 Lens

Æon Flux (2005)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker

Starring | Charlize Theron, Frances McDormand, Sophie Okonedo, Marton Csokas

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Belizaire the Cajun (1986)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo

Starring | Armand Assante, Gail Youngs, Michael Schoeffling, Stephen McHattie

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Frost/Nixon (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu

Starring | Frank Langella, Michael Sheen, Kevin Bacon, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses, Cooke Varotal Lenses

Elizabeth (1998)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 124 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Liz Giles, Rod Culbertson, Paul Fox

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses