Cooke Varotal Lenses | 20 Titles
Paradise Now (2005)
91 Minutes
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
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Terminator 2: Judgment Day (1991)
137 Minutes
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Transformers (2007)
144 Minutes
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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The Man from U.N.C.L.E. (2015)
116 Minutes
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
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Labor Day (2013)
111 Minutes
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
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The Heart Machine (2014)
85 Minutes
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
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Ray (2004)
152 Minutes
Directed by | Taylor Hackford | Cinematography by | Pawel Edelman | Editing by | Paul Hirschmodified:
Star Wars: Episode VI – Return of the Jedi (1983)
131 Minutes
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
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ParaNorman (2012)
92 Minutes
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
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Being Julia (2004)
104 Minutes
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
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The Piano Teacher (2001)
131 Minutes
Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
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One from the Heart (1981)
107 Minutes
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts Cameras | ARRIFLEX 35 BL Camera
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Æon Flux (2005)
93 Minutes
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tuckermodified:
Belizaire the Cajun (1986)
103 Minutes
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Frost/Nixon (2008)
122 Minutes
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
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Elizabeth (1998)
124 Minutes
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Fantastic Mr. Fox (2009)
87 Minutes
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
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Apocalypse and the Beauty Queen (2005)
95 Minutes
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
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61* (2001)
129 Minutes
Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow Cameras | ARRIFLEX 435 ES Camera
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Kundun (1997)
134 Minutes
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
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