Cooke Varotal Lenses | 18 Titles
The Man from U.N.C.L.E. (2015)
Country | USA, UK
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
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Labor Day (2013)
Country | USA
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
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The Heart Machine (2014)
Country | USA
Type | Motion Picture
Running Time | 85 Minutes
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
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Ray (2004)
Country | USA
Type | Motion Picture
Running Time | 152 Minutes
Aspect Ratio | 1.85:1
Directed by | Taylor Hackford | Cinematography by | Pawel Edelman | Editing by | Paul Hirsch
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Star Wars: Episode VI – Return of the Jedi (1983)
Country | USA
Type | Motion Picture
Running Time | 131 Minutes
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
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ParaNorman (2012)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 2.39:1
Directed by | Chris Butler, Sam Fell | Cinematography by | Tristan Oliver | Editing by | Christopher Murrie
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Tilt-Shift Lenses, Cooke Varotal Lenses
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Being Julia (2004)
Country | Canada, USA, Hungary, UK
Type | Motion Picture
Running Time | 104 Minutes
Aspect Ratio | 1.85:1
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
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The Piano Teacher (2001)
Country | Austria, France, Germany
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Michael Haneke | Cinematography by | Christian Berger | Editing by | Nadine Muse, Monika Willi
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
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One from the Heart (1981)
Country | USA
Type | Motion Picture
Running Time | 107 Minutes
Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts
Cameras | ARRIFLEX 35 BL Camera
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Æon Flux (2005)
Country | USA, Germany, Brazil, Italy
Type | Motion Picture
Running Time | 93 Minutes
Aspect Ratio | 2.39:1
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
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Belizaire the Cajun (1986)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Directed by | Glen Pitre | Cinematography by | Richard Bowen | Editing by | Paul Trejo
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Frost/Nixon (2008)
Country | UK, France, USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill, Robert Komatsu
Lenses | Cooke S4 Lenses, Cooke Varotal Lenses
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Angenieux HR Zoom Lenses, Cooke Lenses, Cooke Varotal Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
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Elizabeth (1998)
Country | UK
Type | Motion Picture
Running Time | 124 Minutes
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Fantastic Mr. Fox (2009)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum
Cameras | Nikon D3 Camera
Lenses | Cooke Varotal Lenses
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Apocalypse and the Beauty Queen (2005)
Country | USA
Type | Direct to Video, Motion Picture
Running Time | 95 Minutes
Aspect Ratio | 1.85:1
Directed by | Thomas Smugala | Cinematography by | Jeff Barklage | Editing by | Daniel Hirsh, Michael Matassa, Jack Snyder
Cameras | ARRIFLEX 35 III Camera, Moviecam 3N Camera
Lenses | Angenieux HP Zoom Lenses, Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke Speed Panchro (S1) 32mm f2.0 Lens, Cooke Speed Panchro (S1) 40mm f2.0 Lens, Cooke Speed Panchro (S1) 50mm f2.0 Lens, Cooke Speed Panchro (S1) 75mm f2.0 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens, Cooke Zoom Lenses
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61* (2001)
Country | USA
Type | Television Movie
Running Time | 129 Minutes
Aspect Ratio | 1.85:1
Directed by | Billy Crystal | Cinematography by | Haskell Wexler | Editing by | Michael Jablow
Cameras | ARRIFLEX 435 ES Camera
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Kundun (1997)
Country | USA, Monaco, Morocco
Type | Motion Picture
Running Time | 134 Minutes
Aspect Ratio | 2.39:1
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
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