ARRIFLEX 535 Camera | 54 Titles
Clockers (1995)
Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Shine (1996)
Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Schindler’s List (1993)
Paradise Now (2005)
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
Titus (1999)
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
The Lord of the Rings: The Two Towers (2002)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton
Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert
Lenses | Zeiss Ultra Prime Lenses
Deep Impact (1998)
Directed by | Mimi Leder | Cinematography by | Dietrich Lohmann | Editing by | Paul Cichocki, David Rosenbloom
Cameras | ARRIFLEX 535 Camera
The Cable Guy (1996)
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
Tartarughe sul dorso (2004)
Directed by | Stefano Pasetto | Cinematography by | Paolo Bravi | Editing by | Alessio Doglione
Cameras | ARRIFLEX 535 Camera
Lenses | Cooke Speed Panchro Lenses
La grande bellezza (2013)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Trilogia II: I skoni tou hronou (2008)
Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos
Cameras | ARRIFLEX 535 Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens
Arrival II (1998)
Directed by | Kevin Tenney | Cinematography by | Bruno Philip | Editing by | Gregory Fine, Heidi Haines
Lenses | Angenieux HR 17-102mm T2.9 Lens, Angenieux HR 25-250mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, Zeiss Standard Speed Prime Lenses
Hak kuen (2006)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Death Race (2008)
Directed by | Paul W.S. Anderson | Cinematography by | Scott Kevan | Editing by | Niven Howie
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Hard Shoulder (2012)
Directed by | Nicholas David Lean | Cinematography by | Steven Priovolos | Editing by | Derek Burgess
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
The Truth About Cats & Dogs (1996)
Directed by | Michael Lehmann | Cinematography by | Robert Brinkmann | Editing by | Stephen Semel
Cameras | ARRIFLEX 535 Camera
Luther (2003)
Directed by | Eric Till | Cinematography by | Robert Fraisse | Editing by | Clive Barrett
Cameras | ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses
Trial and Error (1997)
Directed by | Jonathan Lynn | Cinematography by | Gabriel Beristain | Editing by | Tony Lombardo
Cameras | ARRIFLEX 535 Camera
Ballistic: Ecks vs. Sever (2002)
Directed by | Wych Kaosayananda | Cinematography by | Julio Macat | Editing by | Jay Cassidy, Caroline Ross
Lenses | Cooke S4 Lenses