Iwerks Cameras | 6 Titles
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
Spider-Man 2 (2004)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Mission: Impossible – Ghost Protocol (2011)
Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch
Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Hearst Castle: Building the Dream (1996)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams | Editing by | Stephen L. Johnson
Cameras | Iwerks MSM 8870 Camera
NSync: Bigger Than Live (2001)
Directed by | John Bailey | Cinematography by | John Bailey, Matthew Williams | Editing by | Lou Angelo, Robert DeMaio, Christian Wagner
Cameras | Iwerks MSM 8870 Camera
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
