ARRIFLEX 35mm Cameras | 567 Titles
Taxi Driver (1976)
114 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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A Beautiful Mind (2001) 
135 Minutes
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
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Schindler’s List (1993)
195 Minutes
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahnmodified:
Paradise Now (2005)
91 Minutes
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
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Sahara (2005)
124 Minutes
Directed by | Breck Eisner | Cinematography by | Seamus McGarvey | Editing by | Andrew MacRitchiemodified:
Titus (1999)
162 Minutes
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
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The Abyss (1989)
145 Minutes
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera
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The Lord of the Rings: The Two Towers (2002)
179 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Fellowship of the Ring (2001)
178 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert Lenses | Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Return of the King (2003)
201 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
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Body of Lies (2008)
128 Minutes
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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Unstoppable (2010)
98 Minutes
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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A Quiet Place (2018)
90 Minutes
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Live Free or Die Hard (2007)
128 Minutes
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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Breaking Bad (2008)
49 Minutes
| Cinematography by | Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams | Editing by | Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses
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Deep Impact (1998)
120 Minutes
Directed by | Mimi Leder | Cinematography by | Dietrich Lohmann | Editing by | Paul Cichocki, David Rosenbloom Cameras | ARRIFLEX 535 Camera
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Jaws (1975)
124 Minutes
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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Terminator 2: Judgment Day (1991)
137 Minutes
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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Bohemian Rhapsody (2018)
134 Minutes
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | John Ottmanmodified:
First Man (2018)
141 Minutes
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross Cameras | Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera
Lenses | CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses
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