Frank Stockburn
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Eddie Conlon
Run All Night (2015)
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Samyaza
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Chief Parker
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Hurley
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Donal Fitzgerald
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Burt Johnson
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Bernie The Gorilla
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Paddy Conlon
Warrior (2011)
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Joe Bechstein
The Mysteries of Pittsburgh (2008)
Directed by: Rawson Marshall Thurber
Cinematography by: Michael Barrett
Edited by: Barbara Tulliver
Mulgarath
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Four Leaf Tayback - Vietnam Crew
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Socrates
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Elliott
Quelques jours en septembre (2006)
Directed by: Santiago Amigorena
Cinematography by: Christophe Beaucarne
Edited by: Sarah Turoche
Vincent (segment "Parc Monceau")
Paris, je t'aime (2006)
Directed by: Olivier Assayas, Frédéric Auburtin, Emmanuel Benbihy, Gurinder Chadha, Sylvain Chomet, Ethan Coen, Joel Coen, Isabel Coixet, Wes Craven, Alfonso Cuarón, Gérard Depardieu, Christopher Doyle, Richard LaGravenese, Vincenzo Natali, Alexander Payne, Bruno Podalydès, Walter Salles, Oliver Schmitz, Nobuhiro Suwa, Daniela Thomas, Tom Tykwer, Gus Van Sant
Cinematography by: Maxime Alexandre, Michel Amathieu, Pierre Aïm, Bruno Delbonnel, Eric Gautier, Frank Griebe, Éric Guichard, Jean-Claude Larrieu, Denis Lenoir, Rain Li, Pascal Marti, Tetsuo Nagata, Matthieu Poirot-Delpech, David Quesemand, Pascal Rabaud, Michael Seresin, Gérard Sterin
Edited by: Luc Barnier, Mathilde Bonnefoy, Stan Collet, Simon Jacquet, Anne Klotz, Isabel Meier, Alex Rodríguez, Hisako Suwa
Steve
The Beautiful Country (2004)
Directed by: Hans Petter Moland
Cinematography by: Stuart Dryburgh
Edited by: Wibecke Rønseth
Colonel Oliver
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
Father
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Father Harlan
Northfork (2003)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Leo Trombetta
Adam Verver
The Golden Bowl (2000)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: John David Allen
Lt. Col. Tall
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Lucky Mann
Afterglow (1997)
Directed by: Alan Rudolph
Cinematography by: Toyomichi Kurita
Edited by: Suzy Elmiger
Cameras: ARRIFLEX Camera
Executive Producer, Wade Whitehouse
Affliction (1997)
Directed by: Paul Schrader
Cinematography by: Paul Sarossy
Edited by: Jay Rabinowitz
Cameras: Panavision Panaflex Gold II Camera
Howard Campbell
Mother Night (1996)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz
Jack Cates
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Lucas
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Jack Benteen
Extreme Prejudice (1987)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Jerry Baskin
Down and Out in Beverly Hills (1986)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
Doc
Cannery Row (1982)
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Neal Cassady
Heart Beat (1980)
Directed by: John Byrum
Cinematography by: László Kovács
Edited by: Eric Jenkins
David Sanders
The Deep (1977)
Directed by: Peter Yates
Cinematography by: Christopher Challis
Edited by: David Berlatsky
Cameras: ARRIFLEX 35 IIC Camera
Lenses: Panavision Lenses
Dave Michaels
Winter Kill (1974)
Directed by: Jud Taylor
Cinematography by: Frank Stanley
Edited by: Henry Berman
