Director Of Photography
Iron Man Three (2013)
| USA
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Cinematographer
Cloud Atlas (2012)
| Germany, USA, Hong Kong, Singapore, China
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Cinematographer
The Odd Life of Timothy Green (2012)
| USA
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Cinematographer
The Adjustment Bureau (2011)
| USA
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Director Of Photography
It's Complicated (2009)
| USA, Japan
Directed by: Nancy Meyers
Cinematography by: John Toll
Cinematographer - 1 Episode, 2008
Breaking Bad (2008)
| USA
Directed by: Michelle MacLaren, Adam Bernstein, Vince Gilligan, Colin Bucksey, Michael Slovis, Bryan Cranston, Terry McDonough, Johan Renck, Rian Johnson, Scott Winant, Peter Gould, Tricia Brock, Bronwen Hughes, Tim Hunter, Jim McKay, Phil Abraham, John Dahl, Félix Enríquez Alcalá, Charles Haid, Peter Medak, John Shiban, David Slade, George Mastras, Thomas Schnauz, Sam Catlin
Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams
Camera Operator
Shine a Light (2008)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Director Of Photography
'Breaking Bad' Pilot (2008)
| USA
Directed by: Vince Gilligan
Cinematography by: John Toll
Edited by: Lynne Willingham
Additional Photographer
The Burning Plain (2008)
| USA, Argentina
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Director Of Photography
Tropic Thunder (2008)
| USA, UK, Germany
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Director Of Photography: New York
Wanted (2008)
| USA, Germany
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Director Of Photography
Gone Baby Gone (2007)
| USA
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Director Of Photography
Seraphim Falls (2006)
| USA
Directed by: David Von Ancken
Cinematography by: John Toll
Edited by: Conrad Buff IV
Director Of Photography
Elizabethtown (2005)
| USA
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Director Of Photography
The Last Samurai (2003)
| USA, New Zealand, Japan
Directed by: Edward Zwick
Cinematography by: John Toll
Cinematographer: End Beach Sequence
Orange County (2002)
| USA
Directed by: Jake Kasdan
Cinematography by: Greg Gardiner
Edited by: Tara Timpone
Director Of Photography
Vanilla Sky (2001)
| USA, Spain
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Director Of Photography
Almost Famous (2000)
| USA
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography
Simpatico (1999)
| UK, France, USA
Directed by: Matthew Warchus
Cinematography by: John Toll
Director Of Photography
The Thin Red Line (1998)
| USA
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Director Of Photography
The Rainmaker (1997)
| USA, Germany
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Cinematographer
Jack (1996)
| USA
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Director Of Photography
Braveheart (1995)
| USA, Ireland
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Director Of Photography
Legends of the Fall (1994)
| USA
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Additional Photographer: Montana
Always (1989)
| USA
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
The Milagro Beanfield War (1988)
| USA
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Director Of Photography: Second Unit
Tequila Sunrise (1988)
| USA
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Camera Operator
Black Widow (1987)
| USA
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Camera Operator
Peggy Sue Got Married (1986)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Camera Operator
Sweet Dreams (1985)
| USA
Directed by: Karel Reisz
Cinematography by: Robbie Greenberg
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Camera Operator
The Falcon and the Snowman (1985)
| UK, USA, Mexico
Directed by: John Schlesinger
Cinematography by: Allen Daviau
Edited by: Richard Marden
Camera Operator
Scarface (1983)
| USA
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
Human Highway (1982)
| USA
Cinematography by: David Myers
Edited by: James Beshears
Cameras: Panavision Cameras
Camera Operator
Zorro: The Gay Blade (1981)
| USA
Directed by: Peter Medak
Cinematography by: John A. Alonzo
Edited by: Lori Jane Coleman
Camera Operator: Second Unit
Bustin' Loose (1981)
| USA
Cinematography by: Dennis Dalzell
Cameras: Panavision Cameras
First Assistant Camera
The Cheap Detective (1978)
| USA
Directed by: Robert Moore
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
First Assistant Camera
The Last Waltz (1978)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
