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Robert Richardson

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Cinematographer

The Hateful Eight (2015)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Cinematographic Consultant

Big Hero 6 (2014)

| USA

Directed by: Don Hall, Chris Williams

Cinematography by: Rob Dressel

Edited by: Tim Mertens

World War Z (2013)

| USA, UK, Malta

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Director Of Photography

Django Unchained (2012)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Director Of Photography

Hugo (2011)

| USA, UK, France

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System, Lightworks Editing System

Director Of Photography

Eat Pray Love (2010)

| USA

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Director Of Photography

Shutter Island (2010)

| USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Director Of Photography

Inglourious Basterds (2009)

| Germany, USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Director Of Photography, Himself

Shine a Light (2008)

| USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: David Tedeschi

Director Of Photography

The Good Shepherd (2006)

| USA

Directed by: Robert De Niro

Cinematography by: Robert Richardson

Edited by: Tariq Anwar

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Lightworks Editing System

Director Of Photography

The Aviator (2004)

| Germany, USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Director Of Photography

Kill Bill: Vol. 2 (2004)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Director Of Photography

Kill Bill: Vol. 1 (2003)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Director Of Photography

The Four Feathers (2002)

| UK, USA

Directed by: Shekhar Kapur

Cinematography by: Robert Richardson

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision E Series Anamorphic Lenses

Director Of Photography

Snow Falling on Cedars (1999)

| USA

Directed by: Scott Hicks

Cinematography by: Robert Richardson

Edited by: Hank Corwin

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Director Of Photography

Bringing Out the Dead (1999)

| USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Director Of Photography

The Horse Whisperer (1998)

| USA

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Director Of Photography, Man In TV Studio

Wag the Dog (1997)

| USA

Directed by: Barry Levinson

Cinematography by: Robert Richardson

Edited by: Stu Linder

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Director Of Photography

U Turn (1997)

| France, USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Thomas J. Nordberg

Director Of Photography

Fast, Cheap & Out of Control (1997)

| USA

Directed by: Errol Morris

Cinematography by: Robert Richardson

Edited by: Shondra Burke, Karen Schmeer

Director Of Photography

Casino (1995)

| USA, France

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Director Of Photography

Natural Born Killers (1994)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Director Of Photography

A Few Good Men (1992)

| USA

Directed by: Rob Reiner

Cinematography by: Robert Richardson

Edited by: Robert Leighton, Steven Nevius

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Director Of Photography

The Doors (1991)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Director Of Photography

Born on the Fourth of July (1989)

| USA

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Camera Operator

Pink Floyd: Delicate Sound of Thunder (1989)

Motion Picture, TV Special

| UK

Directed by: Wayne Isham

Cinematography by: Marc Reshovsky

Edited by: Lisa Hendricks, Jeff Richter

Director Of Photography

Platoon (1986)

| USA, UK

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Claire Simpson

Cameras: Joe Dunton Cameras

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