Adobe Premiere Editing System | 95 Titles
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
Promised: A True Story (2021)
Directed by | Yitzchok Zev Weisz | Cinematography by | Duvid Steinberg | Editing by | Duvid Steinberg, Yitzchok Zev Weisz
Cameras | Canon Cameras
Lenses | Canon EF Series Lenses
A Spark in Nothing (2021)
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
Skin: The Movie (2018)
Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe
Cameras | Sony PXW-FS7 Camera
Monstrosity (2016)
Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger
Cameras | Panasonic Lumix DMC-GH4 Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens
Flytrap (2015)
Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Angenieux 24-240 f2.6 Zoom Lens
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Deep Drag (2020)
Directed by | Sebastian Steins | Cinematography by | Sebastian Steins | Editing by | Sebastian Steins
Cameras | Canon EOS-5D Mark III Camera
Lenses | Samyang VDSLR II Cine 85mm T1.5 Lens
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
The Bastard Sword (2018)
Mindhunter (2017)
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen
Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Bright Red (2014)
Directed by | David Barros | Cinematography by | David Barros | Editing by | Francisco Wanzeller
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Missing Girl (2017)
Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Sigma Lenses
Superman Returns (2006)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Elliot Graham, John Ottman
Cameras | Panavision Genesis Camera
Sharknado 2: The Second One (2014)
Directed by | Anthony C. Ferrante | Cinematography by | Ben Demaree | Editing by | Ana Florit, Vashi Nedomansky
Cameras | Blackmagic Cinema Camera, Red Epic Camera
Innerself (2018)
Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu
Cameras | Panasonic Lumix DMC-GH5 Camera
Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens
A Safe Place (0)
Directed by | Amir Aghelnejad | Cinematography by | Andy Hodgson | Editing by | Amir Aghelnejad
Cameras | Red Scarlet Camera
