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Adobe Premiere Editing System | 159 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Badur Hogar (2019)

Motion Picture | 2D | 2.8K Project | Color | 1.85:1 | 101 Minutes

Directed by | Rodrigo Moscoso | Cinematography by | Gaspar Quique Silva | Editing by | Federico Casoni

Starring | Bárbara Lombardo, Javier Flores, Castulo Guerra

Cameras | ARRI AMIRA Camera

Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 20 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens

Ojalá vivas tiempos interesantes (2017)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Santiago Van Dam | Cinematography by | Gaspar Quique Silva | Editing by | Lourdes Miere

Starring | Benjamín Rojas, Emilia Attías, Mario Alarcón

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Nikon - Nikkor Lenses

Terminator: Dark Fate (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime DNA Lenses, Cineovision Lenses

Gold Star (2020)

Short Film | 2D | Color | 2.39:1 | 15 Minutes

Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger

Starring | Husom Asiri Alias, Dagmar Bernhard, Fariba Mohamadian

Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses | Canon EF Series Lenses, Canon FD Series Lenses

Sharp Instinct: Volume II ()

Motion Picture | 2D | HD Project | Color | 1.85:1 |

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Cameras | Panasonic Cameras, Sony Cameras

Venus Effect (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 |

Directed by | Andrew Burn | Cinematography by | Andrew Burn

Starring | Chase Brown, Whitney Code, Vanessa D. Fant

Cameras | Sony Cameras, Sony ILME-FX3 Camera

Lenses | Sony G Master Series Lenses

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.39:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

A:D (2005)

Short Film | 2D | SD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef

Starring | Owen Callaghan, John Collins, Clodagh Downing, Michael Glynn

Cameras | Sony DCR-VX2000 Camera

Lenses | Sony Lenses

The Pills (2021)

Short Film | 2D | 4K Project | Color | 2.0:1 | 6 Minutes

Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov

Starring | Nikita Hrushev, Vladislav Ivanov, Petr Kasatiev

Cameras | Red Komodo Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Scan Ahead (2024)

Short Film | 2D | 2K Project | Color | 1.85:1 | 27 Minutes

Directed by | Joe Stebbens | Cinematography by | Rafe Moate | Editing by | Rafe Moate, Joe Stebbens

Starring | Katie Lever, Lewis Hill, Kane Norman

Cameras | Canon EOS-C100 Camera, Sony NEX-FS700 Camera

Lenses | Sigma Lenses, Zeiss Lenses

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

Fifth Story (2024)

Short Film | 2D | 4K Project | Color | 1.66:1 |

La jungle est mon jardin (2022)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 78 Minutes

Directed by | Enrico Alexander Giordano

Starring | Elodie Atsadé, Sidiki Bakaba, Daniel Jenny

Cameras | Canon EOS-1D C Camera

Lenses | Cineovision Lenses, Leica R Series Lenses

Meet Natasha (2022)

Short Film | 2D | Color | 16 Minutes

Directed by | Antonio Oliveros-Nikol | Cinematography by | Benjamin Steeper | Editing by | Antonio Oliveros-Nikol

Starring | Jarred Harper, Vincent Ticali, Samuel Lee Roberts

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | Meike Lenses

The Dinosaur Hour Extra (2023)

TV Special | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier

Starring | Helen Bond, Kate Crosby, Andrew Doyle

Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras

Lenses | Sony G Master Series Lenses

Burma Road – Flying Tigers (2015)

Documentary | 2D | 2K Project | Color | 1.90:1 |

Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun

Starring | Louis Fantasia, Chris D. Nebe

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens

The Protectors (2020)

Motion Picture | 2K Project | Color | 2.39:1 |

Directed by | Jason Piccolo | Editing by | Jason Piccolo

Starring | Max Martini, Remi Adeleke, Loren Avedon, Glann Banton

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Nikon AI-S Nikkor 50 mm f1.4 Lens, Tamron AF 17-50 mm f2.8 Lens

Haunted State (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Angela Olson | Editing by | Michael Brown

Starring | Michael Brown, Anne Benson, Todd Dehring, Angela Olson

Cameras | Panasonic HC-VX870K, Panasonic Lumix DMC-GH5s Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

The Dinosaur Hour (2023)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Editing by | Ivan Greyling, Audrey Heaton, Evelin Longo, Roberta Spinicci, Alexander Webb, Sidney Berthier

Starring | John Cleese, Ben Castle, Lewis Schaffer

Cameras | ARRI AMIRA Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens

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