Fujinon Alura Zoom 18-80 mm T2.6 Lens | 8 Titles
Burma Road – Flying Tigers (2015)
Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
The Hustle (2019)
Directed by | Chris Addison | Cinematography by | Michael Coulter | Editing by | Anthony Boys
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens
R.L. Stine’s The Haunting Hour (2010)
| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Ventoux (2015)
Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot
Cameras | ARRI ALEXA Camera
Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Fuga de cerebros 2 (2011)
Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses
SOKO Wismar (2004)
| Cinematography by | Constantin Kesting, Klaus Liebertz, Jakob Ebert, Georgij Pestov, Voxi Bärenklau, Nicolai Kätsch, Tobias Platow, Oliver Sander, Andreas Tams, Marcus Kanter, Sabine Berchter, Eeva Fleig, Konstantin Kröning, Till Müller, Inka Sackenheim, Rudolf Schröder, Michael Tötter, Markus Fraunholz, Thomas C. Wagner, Bernhard Wagner, Florian Foest | Editing by | Ines Bluhm, Vessela Martschewski, Claudia Klook, Florentine Bruck, Ingo Ehrlich, Ingo Recker, Yvonne von Bechtolsheim, Esther Weinert, Christine Boock, Julia Dupuis, Christian Bolik, Lars Jordan, Grit Meyer, Gilda Rosskamp, Lars Späth, Dagmar Dick, Ann-Sophie Schweizer, Claudia Fröhlich, Christiane Fazlagic, Lawrence Tooley, Daniel Jakubowski, Jochen Retter
Cameras | ARRIFLEX 16SR3 Camera, GoPro HD Hero2 Camera, GoPro HD Hero3 Camera, Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Compact Prime Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra 16 Lenses
Into the Storm (2014)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Killer Joe (2011)
Directed by | William Friedkin | Cinematography by | Caleb Deschanel | Editing by | Darrin Navarro
Cameras | ARRI ALEXA Camera
Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Zeiss Ultra Prime Lenses
