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Fujinon Alura Zoom 15.5-45mm T2.8 Lens < 6 >
Fujinon Alura Zoom 18-80mm T2.6 Lens < 6 >
Fujinon Alura Zoom 30-80mm T2.8 Lens < 2 >
Fujinon Alura Zoom 45-250mm T2.8 Lens < 10 >

Fujinon Alura Lenses | 24 Titles

Fujinon Alura Lenses 5.00/5 1 Vote

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Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leica Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

Virunga (2014)

Documentary | 2D | Color | 100 Minutes

Directed by | Orlando von Einsiedel | Cinematography by | Franklin Dow | Editing by | Katie Bryer, Masahiro Hirakubo, Miikka Leskinen, St. John O'Rorke, Peta Ridley

Starring | André Bauma, Emmanuel de Merode, Mélanie Gouby, Rodrigue Mugaruka Katembo

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera, Canon EOS-C300 Camera, Sony PMW-F5 Camera

Lenses | Canon Lenses, Fujinon Alura Lenses

The Ballad of Buster Scruggs (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 133 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen

Starring | Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

R.L. Stine’s The Haunting Hour (2010)

Television Series | 2D | Color | 23 Minutes

| Cinematography by | Michael Balfry | Editing by | Lisa Robison, Charles Robichaud, Jana Fritsch, Jeanne Slater, Jana Fitsch

Starring | Jeny Cassady, Dan Payne, Emma Grabinsky, Bailee Madison

Cameras | Red Epic Camera

Lenses | Cooke S4/i Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens

The Precipice Game (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu

Starring | Ruby Lin, Peter Ho, Kim Scar, Yuexi Gai

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Lenses | Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Master Prime Lenses

Don’t Breathe (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 88 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Eric L. Beason, Louise Ford, Gardner Gould

Starring | Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto

Cameras | ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Morris from America (2016)

Motion Picture | 2D | 2K Project | Color | 1.78:1 (16x9) | 91 Minutes

Directed by | Chad Hartigan | Cinematography by | Sean McElwee | Editing by | Anne Fabini

Starring | Markees Christmas, Craig Robinson, Carla Juri, Patrick Güldenberg

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens

La isla mínima (2014)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Alberto Rodríguez | Cinematography by | Alex Catalán | Editing by | José M. G. Moyano

Starring | Javier Gutiérrez, Raúl Arévalo, María Varod, Perico Cervantes

Cameras | ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 45-250mm T2.8 Lens

Furious 7 (2015)

Motion Picture | 2D | 2K Project | Color | 137 Minutes

$Paul Walker\'s Final Appearence - Behind the Scenes at ShotOnSet!$

Directed by | James Wan | Cinematography by | Marc Spicer, Stephen F. Windon | Editing by | Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Starring | Vin Diesel, Paul Walker, Dwayne Johnson, Jason Statham

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

I’m Off Then (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 92 Minutes

Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring

Starring | Devid Striesow, Martina Gedeck, Karoline Schuch, Annette Frier

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 45-250mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Straight Outta Compton (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 147 Minutes

Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick

Starring | O'Shea Jackson Jr., Corey Hawkins, Jason Mitchell, Neil Brown Jr.

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Ventoux (2015)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Nicole van Kilsdonk | Cinematography by | Anton Mertens | Editing by | Moek de Groot

Starring | Kasper van Kooten, Wilfried de Jong, Leopold Witte, Wim Opbrouck

Cameras | ARRI ALEXA Camera

Lenses | Cooke Lenses, Cooke Speed Panchro Lenses, Fujinon Alura Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Zeiss Ultra Prime Lenses

Fuga de cerebros 2 (2011)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Carlos Therón | Cinematography by | Antonio J. García | Editing by | Verónica Callón

Starring | Adrián Lastra, Alberto Amarilla, Hannah New, David Hasselhoff

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Lenses

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Le crocodile du Botswanga (2014)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Lionel Steketee, Fabrice Eboué | Cinematography by | Stéphane Le Parc | Editing by | Frédérique Olszak

Starring | Thomas N'Gijol, Fabrice Eboué, Claudia Tagbo, Ibrahim Koma

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, ARRI / Zeiss Master Anamorphic Lenses, Fujinon Alura Lenses

SOKO Wismar (2004)

Television Series | 2D | Color | 1.78:1 (16x9) |

| Cinematography by | Constantin Kesting, Klaus Liebertz, Jakob Ebert, Georgij Pestov, Voxi Bärenklau, Nicolai Kätsch, Tobias Platow, Oliver Sander, Andreas Tams, Marcus Kanter, Sabine Berchter, Eeva Fleig, Konstantin Kröning, Till Müller, Inka Sackenheim, Rudolf Schröder, Michael Tötter, Markus Fraunholz, Thomas C. Wagner, Bernhard Wagner, Florian Foest | Editing by | Ines Bluhm, Vessela Martschewski, Claudia Klook, Florentine Bruck, Ingo Ehrlich, Ingo Recker, Yvonne von Bechtolsheim, Esther Weinert, Christine Boock, Julia Dupuis, Christian Bolik, Lars Jordan, Grit Meyer, Gilda Rosskamp, Lars Späth, Dagmar Dick, Ann-Sophie Schweizer, Claudia Fröhlich, Christiane Fazlagic, Lawrence Tooley, Daniel Jakubowski, Jochen Retter

Starring | Udo Kroschwald, Katharina Blaschke, Claudia Schmutzler, Li Hagman

Cameras | ARRIFLEX 16SR3 Camera, GoPro HD Hero2 Camera, GoPro HD Hero3 Camera, Red Epic Camera, Red One MX Camera

Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra 16 Lenses

300: Rise of an Empire (2014)

Motion Picture | 3D | Color | 102 Minutes

Directed by | Noam Murro | Cinematography by | Simon Duggan | Editing by | David Brenner, Wyatt Smith

Starring | Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson

Cameras | Red Epic Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Key and Peele (2012)

Television Series | 2D | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Charles Papert | Editing by | Christian Hoffman, Adam Lichtenstein, Richard LaBrie, Nicholas Monsour, Maura Corey, Phil Davis, Justin Donaldson, Neil Mahoney, Bryan Shelton, Stephen Waichulis

Starring | Keegan-Michael Key, Jordan Peele, Ron Artest, Matt Wheeler

Cameras | ARRI ALEXA XT Camera, Sony PMW-F3 Camera

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 18-80mm T2.6 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Master Prime Lenses

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