Deckard
The Fate of the Furious (2017)
| China, USA, Japan
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Arthur Bishop
Mechanic: Resurrection (2016)
| France, USA
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Rick Ford
Spy (2015)
| USA, UK, France, Hungary, Germany
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Deckard Shaw
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Lee Christmas
The Expendables 3 (2014)
| USA, France, Bulgaria, Germany
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Parker
Parker (2013)
| USA
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Deckard Shaw
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Phil Broker
Homefront (2013)
| USA
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Lee Christmas
The Expendables 2 (2012)
| USA, Germany
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Brant
Blitz (2011)
| UK, France, USA
Directed by: Elliott Lester
Cinematography by: Rob Hardy
Edited by: John Gilbert
Danny
Killer Elite (2011)
| UK, Australia
Directed by: Gary McKendry
Cinematography by: Simon Duggan
Edited by: John Gilbert
Lee Christmas
The Expendables (2010)
| USA, Bulgaria
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Jensen Ames
Death Race (2008)
| USA, Germany, UK
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Terry Leather
The Bank Job (2008)
| UK, USA, Australia
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Frank Martin
Transporter 3 (2008)
| France, USA, Ukraine
Directed by: Olivier Megaton
Cinematography by: Giovanni Fiore Coltellacci
Lenses: Cooke S4 Lenses
Crawford
War (2007)
| USA, Canada
Directed by: Philip G. Atwell
Cinematography by: Pierre Morel
Edited by: Scott Richter
Farmer
In the Name of the King: A Dungeon Siege Tale (2007)
| Germany, Canada, USA
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: David M. Richardson
Yves Gluant
The Pink Panther (2006)
| USA, Czech Republic
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Frank Martin
Transporter 2 (2005)
| France, USA
Directed by: Louis Leterrier
Cinematography by: Mitchell Amundsen
Ethan
Cellular (2004)
| USA, Germany
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Airport Man
Collateral (2004)
| USA
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Handsome Rob
The Italian Job (2003)
| USA, France, UK, Italy
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Frank Martin
The Transporter (2002)
| France, USA
Cinematography by: Pierre Morel
Edited by: Nicolas Trembasiewicz
MVA Agent Evan Funsch
The One (2001)
| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sgt Jericho Butler
Ghosts of Mars (2001)
| USA
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Turkish
Snatch (2000)
| UK, USA
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Bacon
Lock, Stock and Two Smoking Barrels (1998)
| UK
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Niven Howie
Cameras: ARRIFLEX 16SR2 Camera, Photo-Sonics Cameras
Editing System: Lightworks Editing System
