Zeiss DigiPrime Lenses | 22 Titles
Fay Grim (2006)
Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Tetro (2009)
Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Walter Murch
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
The Curious Case of Benjamin Button (2008)
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall
Lenses | Zeiss DigiPrime Lenses
The Visitor (2007)
Directed by | Tom McCarthy | Cinematography by | Oliver Bokelberg | Editing by | Tom McArdle
Cameras | ARRICAM Lite (LT) Camera
Don’t Speak at Funerals (2012)
Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss DigiPrime Lenses
Cloverfield (2008)
Directed by | Matt Reeves | Cinematography by | Michael Bonvillain | Editing by | Kevin Stitt
Cameras | Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
Mang lung (2005)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Wai Chiu Chung
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Zodiac (2007)
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | Angus Wall
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses
Pina (2011)
Directed by | Wim Wenders | Cinematography by | Hélène Louvart, Jörg Widmer | Editing by | Toni Froschhammer
Lenses | Zeiss DigiPrime Lenses
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
The Perfect Sleep (2009)
Directed by | Jeremy Alter | Cinematography by | Charles Papert | Editing by | Martin Hunter
Cameras | Sony HDW-F900 Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
51 Paintings (2012)
Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey
Cameras | Canon EOS 550D Camera, Red One Camera
Lenses | Zeiss DigiPrime Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Frozen River (2008)
Directed by | Courtney Hunt | Cinematography by | Reed Morano | Editing by | Kate Williams
Cameras | Panasonic AJ-HDC27 Varicam Camera
Lenses | Zeiss DigiPrime Lenses
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
Tristram Shandy: A Cock and Bull Story (2005)
Directed by | Michael Winterbottom | Cinematography by | Marcel Zyskind | Editing by | Peter Christelis
Cameras | Sony HDC-750 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Silence Becomes You (2005)
Directed by | Stephanie Sinclaire | Cinematography by | Arturo Smith | Editing by | Toby Yates
Cameras | Thomson Viper Camera
Lenses | Zeiss DigiPrime Lenses