Panasonic AG-HVX200 Camera | 26 Titles
Maître du monde (2011)
Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano
Starring | Boris Beynet
Cameras | Panasonic AG-HVX200 Camera
Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
Supernatural (2005)
| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera
Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses
Symphony in Blue (2017)
Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko
Cameras | Panasonic AG-HVX200 Camera
Pipe Dreams: Six of Them (2016)
Directed by | Kain Baigent | Editing by | David Baldini
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera
No End in Sight (2007)
Directed by | Charles Ferguson | Cinematography by | Antonio Rossi | Editing by | Chad Beck, Cindy Lee
Angry Video Game Nerd: The Movie (2014)
Directed by | Kevin Finn, James Rolfe | Cinematography by | Jason Brewer | Editing by | Paul Fontaine, Michael Licisyn
Terminal (2007)
Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Route 30 (2007)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Panasonic AG-HVX200 Camera
Five Broken Cameras (2011)
Directed by | Emad Burnat, Guy Davidi | Cinematography by | Emad Burnat | Editing by | Guy Davidi, Véronique Lagoarde-Ségot
Cameras | JVC GR-D54E Camera, Panasonic AG-HVX200 Camera, Panasonic NV-GS140 Camera, Sony DCR-PC110 Camera, Sony DSR-PDX10P Camera
Blackfish (2013)
Directed by | Gabriela Cowperthwaite | Cinematography by | Jonathan Ingalls, Chris Towey | Editing by | Eli B. Despres, Gabriela Cowperthwaite
Cameras | Canon EOS-5D Mark II Camera, Canon XA10 Camera, Panasonic AG-AF100 Camera, Panasonic AG-HVX200 Camera
La piel que habito (2011)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Lenses | Zeiss Master Prime Lenses
The Making Of (2009)
Directed by | Matt St. Charles | Cinematography by | Genny St. Charles-Monet | Editing by | Matt St. Charles
Cameras | Panasonic AG-HVX200 Camera
Prince of Broadway (2008)
Directed by | Sean Baker | Cinematography by | Sean Baker | Editing by | Sean Baker
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Love Simple (2009)
Directed by | Mark von Sternberg | Cinematography by | Lance Kaplan | Editing by | Dave Buchwald
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Lenses | Canon Lenses
Cloverfield (2008)
Directed by | Matt Reeves | Cinematography by | Michael Bonvillain | Editing by | Kevin Stitt
Cameras | Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
A Portrait of Grief (2009)
Directed by | Amy Oliveira | Cinematography by | Ryan Jordan | Editing by | Devon Read
Cameras | Panasonic AG-HVX200 Camera
Direct to Your Door (2010)
Directed by | Eddie Deirmenjian | Cinematography by | Mark R. Johnson | Editing by | Jonathan Suhadolnik
Cameras | Panasonic AG-HVX200 Camera