Panasonic AG-HVX200 Camera | 25 Titles
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
Supernatural (2005)
| Cinematography by | Serge Ladouceur, Bradley S. Creasser, Aaron Schneider | Editing by | Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX D-21 Camera, Canon EOS-5D Mark II Camera, Panasonic AG-HVX200 Camera, Red One Camera
Lenses | Clairmont Anamorphic Lenses, Cooke S4 Lenses
Symphony in Blue (2017)
Directed by | Samuel Marko | Cinematography by | Davis Moore | Editing by | Samuel Marko
Cameras | Panasonic AG-HVX200 Camera
Pipe Dreams: Six of Them (2016)
Directed by | Kain Baigent | Editing by | David Baldini
Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero Camera, GoPro HD Hero2 Camera, Panasonic AG-HVX200 Camera
No End in Sight (2007)
Directed by | Charles Ferguson | Cinematography by | Antonio Rossi | Editing by | Chad Beck, Cindy Lee
Angry Video Game Nerd: The Movie (2014)
Directed by | Kevin Finn, James Rolfe | Cinematography by | Jason Brewer | Editing by | Paul Fontaine, Michael Licisyn
Terminal (2007)
Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Route 30 (2007)
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Panasonic AG-HVX200 Camera
Five Broken Cameras (2011)
Directed by | Emad Burnat, Guy Davidi | Cinematography by | Emad Burnat | Editing by | Guy Davidi, Véronique Lagoarde-Ségot
Cameras | JVC GR-D54E Camera, Panasonic AG-HVX200 Camera, Panasonic NV-GS140 Camera, Sony DCR-PC110 Camera, Sony DSR-PDX10P Camera
Blackfish (2013)
Directed by | Gabriela Cowperthwaite | Cinematography by | Jonathan Ingalls, Chris Towey | Editing by | Eli B. Despres, Gabriela Cowperthwaite
Cameras | Canon EOS-5D Mark II Camera, Canon XA10 Camera, Panasonic AG-AF100 Camera, Panasonic AG-HVX200 Camera
La piel que habito (2011)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Lenses | Zeiss Master Prime Lenses
The Making Of (2009)
Directed by | Matt St. Charles | Cinematography by | Genny St. Charles-Monet | Editing by | Matt St. Charles
Cameras | Panasonic AG-HVX200 Camera
Prince of Broadway (2008)
Directed by | Sean Baker | Cinematography by | Sean Baker | Editing by | Sean Baker
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Love Simple (2009)
Directed by | Mark von Sternberg | Cinematography by | Lance Kaplan | Editing by | Dave Buchwald
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Lenses | Canon Lenses
Cloverfield (2008)
Directed by | Matt Reeves | Cinematography by | Michael Bonvillain | Editing by | Kevin Stitt
Cameras | Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
Reparando (2010)
Directed by | Scott Owen Moore | Cinematography by | Bobby Marko, Scott Owen Moore | Editing by | Scott Owen Moore
A Portrait of Grief (2009)
Directed by | Amy Oliveira | Cinematography by | Ryan Jordan | Editing by | Devon Read
Cameras | Panasonic AG-HVX200 Camera
Direct to Your Door (2010)
Directed by | Eddie Deirmenjian | Cinematography by | Mark R. Johnson | Editing by | Jonathan Suhadolnik
Cameras | Panasonic AG-HVX200 Camera
Drawn by Pain (2007)
Directed by | Jesse Cowell | Cinematography by | Jesse Cowell | Editing by | Jesse Cowell
Cameras | Panasonic AG-HVX200 Camera