Edward Ratchett
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Captain Jack Sparrow
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Grindelwald
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Wolf
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Guy Lapointe
Tusk (2014)
Directed by: Kevin Smith
Cinematography by: James Laxton
Edited by: Kevin Smith
Cameras: ARRI ALEXA Camera, Red Epic Camera
Will Caster
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Executive Producer, Tonto
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Barnabas Collins, Producer
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Officer Tom Hanson
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Jack Sparrow
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Producer
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Johnny Depp
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Rango / Lars
Rango (2011)
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Himself
Paradise Lost 3: Purgatory (2011)
Cinematography by: Robert Richman
Edited by: Alyse Ardell Spiegel
Kemp, Producer
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Frank Tupelo
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Mad Hatter
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
John Dillinger
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Imaginarium Tony 1
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Sweeney Todd
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Jack Sparrow
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Jack Sparrow
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Victor Van Dort
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Willy Wonka
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Rochester
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Mort Rainey
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
L'inconnu
Ils se marièrent et eurent beaucoup d'enfants (2004)
Directed by: Yvan Attal
Cinematography by: Rémy Chevrin
Edited by: Jennifer Augé
Sir James Matthew Barrie
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Sands
Once Upon a Time in Mexico (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Jack Sparrow
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Roux
Chocolat (2000)
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Bon Bon / Lieutenant Victor
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Ichabod Crane
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Dean Corso
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Edward Scissorhands
Family Guy (1999)
Directed by: James Purdum, Peter Shin, Dominic Bianchi, Pete Michels, John Holmquist, Greg Colton, Brian Iles, Julius Wu, Jerry Langford, Joseph Lee, Joe Vaux, Mike Kim, Roy Allen Smith, Dan Povenmire, Steve Robertson, Cyndi Tang, Dominic Polcino, Bob Bowen, Michael Dante DiMartino, Zac Moncrief, Bert Ring, Steve Beers, Monte Young, Scott Wood, Sarah Frost, Gavin Dell, Glen Hill, Brian Hogan, Kurt Dumas, Seth Kearsley, Chuck Klein, Neil Affleck, Rob Renzetti, Jack Dyer, Bob Jaques, Jeff Myers, Swinton O. Scott III, Andi Klein, Chris Robertson, Seth MacFarlane
Commander Spencer Armacost
The Astronaut's Wife (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Raoul Duke
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Donnie
Donnie Brasco (1997)
Directed by: Mike Newell
Cinematography by: Peter Sova
Edited by: Jon Gregory
William Blake
Dead Man (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
Ed Wood
Ed Wood (1994)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Don Juan DeMarco
Don Juan DeMarco (1994)
Directed by: Jeremy Leven
Cinematography by: Ralf D. Bode
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Gilbert Grape
What's Eating Gilbert Grape (1993)
Directed by: Lasse Hallström
Cinematography by: Sven Nykvist
Edited by: Andrew Mondshein
Axel Blackmar
Arizona Dream (1993)
Directed by: Emir Kusturica
Cinematography by: Vilko Filac
Cameras: Panavision Cameras
Guy On TV
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Edward Scissorhands
Edward Scissorhands (1990)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lerner
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System