Editor
The Wolf of Wall Street (2013)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editor
Hugo (2011)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Consultant
'Boardwalk Empire' Boardwalk Empire (2010)
| USA
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Editor
Shutter Island (2010)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Editor
The Departed (2006)
| USA, Hong Kong
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Editor
The Aviator (2004)
| USA, Germany
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Editor
Gangs of New York (2002)
| USA, Italy
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Editor
Bringing Out the Dead (1999)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Editor
Kundun (1997)
| USA
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Editor
Casino (1995)
| USA, France
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editor
The Age of Innocence (1993)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editor Film Editor
Goodfellas (1990)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Editor
The Last Temptation of Christ (1988)
| USA, Canada
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editor
The Color of Money (1986)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Editor
After Hours (1985)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editor, Production Supervisor
The King of Comedy (1982)
| USA
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Editor
Raging Bull (1980)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Assistant Director (as T. Schoonmaker), Editor
Woodstock (1970)
| USA
Directed by: Michael Wadleigh
Cinematography by: Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer
Editor
I Call First (1967)
| USA
Directed by: Martin Scorsese
Edited by: Thelma Schoonmaker
Cameras: Éclair NPR Camera, Mitchell BNC Camera
