Cinematographer
Der Totmacher (1995)
| Germany
Directed by: Romuald Karmakar
Cinematography by: Fred Schuler
Edited by: Peter Przygodda
Director Of Photography
Haunted Honeymoon (1986)
| USA
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Cinematographer
Armed and Dangerous (1986)
| USA
Directed by: Mark L. Lester
Cinematography by: Fred Schuler
Cinematographer
Fletch (1985)
| USA
Directed by: Michael Ritchie
Cinematography by: Fred Schuler
Edited by: Richard A. Harris
Cinematographer
The Woman in Red (1984)
| USA
Directed by: Gene Wilder
Cinematography by: Fred Schuler
Edited by: Christopher Greenbury
Cinematographer
Easy Money (1983)
| USA
Directed by: James Signorelli
Cinematography by: Fred Schuler
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Cinematographer
The King of Comedy (1982)
| USA
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Director Of Photography
Gloria (1980)
| USA
Directed by: John Cassavetes
Cinematography by: Fred Schuler
Edited by: George C. Villaseñor
Director Of Photography
Stir Crazy (1980)
| USA
Directed by: Sidney Poitier
Cinematography by: Fred Schuler
Edited by: Harry Keller
Camera Operator
Manhattan (1979)
| USA
Directed by: Woody Allen
Cinematography by: Gordon Willis
Edited by: Susan E. Morse
Camera Operator
The Deer Hunter (1978)
| UK, USA
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Edited by: Peter Zinner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Lincoln Center Ballet Sequence
Slow Dancing in the Big City (1978)
| USA
Directed by: John G. Avildsen
Cinematography by: Ralf D. Bode
Edited by: John G. Avildsen
Camera Operator
The Last Waltz (1978)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Camera Operator
Annie Hall (1977)
| USA
Directed by: Woody Allen
Cinematography by: Gordon Willis
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
Taxi Driver (1976)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: ARRI / Zeiss Lenses
Camera Operator
Dog Day Afternoon (1975)
| USA
Directed by: Sidney Lumet
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Camera Operator (uncredited)
Jaws (1975)
| USA
Directed by: Steven Spielberg
Cinematography by: Bill Butler
Edited by: Verna Fields
Cameras: Panavision Panaflex Camera
First Assistant Camera
Across 110th Street (1972)
| USA
Directed by: Barry Shear
Cinematography by: Jack Priestley
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
