ARRI / Zeiss Lenses | 612 Titles
Friendship’s Field (1995)
83 Minutes
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
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Shazam! (2019)
132 Minutes
Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller Lenses | Zeiss Master Prime Lenses
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Shoplifters (2018)
121 Minutes
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leica Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
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Solo: A Star Wars Story (2018)
135 Minutes
Directed by | Ron Howard | Cinematography by | Bradford Young | Editing by | Pietro Scaliamodified:
Song to Song (2017)
129 Minutes
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Rehman Nizar Ali, Hank Corwin, Keith Fraase Cameras | ARRI ALEXA Camera, ARRI ALEXA M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
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The Shining (1980)
146 Minutes
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy Cameras | ARRIFLEX 35 BL Camera
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The Love Witch (2016)
120 Minutes
Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller Cameras | ARRICAM Studio (ST) Camera
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Malaria (2016)
86 Minutes
Directed by | Parviz Shahbazi | Cinematography by | Hooman Behmanesh | Editing by | Parviz Shahbazi Cameras | ARRI ALEXA XT Plus Camera
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Taxi Driver (1976)
114 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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A Beautiful Mind (2001) 
135 Minutes
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
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Lyubi ikh vsekh (2019)
100 Minutes
Directed by | Mariya Agranovich | Cinematography by | Dzmitry Karnachyk | Editing by | Olga Grinshpun Cameras | ARRI ALEXA Mini Camera
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Paradise Now (2005)
91 Minutes
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
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The Scythian (2018)
105 Minutes
Directed by | Rustam Mosafir | Cinematography by | Dzmitry Karnachyk | Editing by | Andrey Nazarov Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke Anamorphic/i Prime Lenses, Zeiss Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
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Master of None (2015)
30 Minutes
| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth Cameras | Panasonic VariCam 35
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
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Mahanayika (2016)
133 Minutes
Directed by | Saikat Bhakat | Cinematography by | Premendu Bikash Chaki | Editing by | Maloy Laha Cameras | Red Epic Dragon Camera
Lenses | Zeiss Ultra Prime Lenses
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Amores Perros (2000)
154 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda Cameras | Moviecam Superlight Camera
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The Lord of the Rings: The Two Towers (2002)
179 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Fellowship of the Ring (2001)
178 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert Lenses | Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Return of the King (2003)
201 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
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Body of Lies (2008)
128 Minutes
Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Zeiss Ultra Prime Lenses
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