ARRI / Zeiss Lenses | 596 Titles
Narcos (2015)
49 Minutes
| Cinematography by | Adrian Teijido, Mauricio Vidal, Carmen Cabana, Juan Carlos Gil, Lula Carvalho, Luis David Sansans | Editing by | Matthew Colonna, Trevor Baker, Luis Carballar, Leo Trombetta, Nathan Gunn, Chris McCaleb, Ryan Jones, Jon Otazua, Victor Du Bois, Alex Marquezmodified:
3 Idiots (2009)
170 Minutes
Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani Cameras | ARRICAM Lite (LT) Camera
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Mindhunter (2017)
60 Minutes
| Cinematography by | Erik Messerschmidt, Christopher Probst | Editing by | Tyler Nelson, Kirk Baxter, Grant Surmi, Byron Smith, Eric Zumbrunnen Cameras | Red Xenomorph Camera
Lenses | Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
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Terminator 2: Judgment Day (1991)
137 Minutes
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
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The Perfect Host (2010)
93 Minutes
Directed by | Nick Tomnay | Cinematography by | John Brawley | Editing by | Nick Tomnay Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
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Shanghai (2012)
120 Minutes
Directed by | Dibakar Banerjee | Cinematography by | Nikos Andritsakis | Editing by | Namrata Rao Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
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BlacKkKlansman (2018)
135 Minutes
Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
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Cloud Atlas (2012)
172 Minutes
Directed by | Tom Tykwer, Lana Wachowski, Lilly Wachowski | Cinematography by | Frank Griebe, John Toll | Editing by | Alexander Berner, Claus Wehlisch Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
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Cold War (2018)
89 Minutes
Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski Cameras | ARRI ALEXA XT Camera
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The Boonies (2017)
| Cinematography by | Tobias Deml | Editing by | Mark Marraccini, Monet Malek
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Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
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The Ballad of Buster Scruggs (2018)
133 Minutes
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coenmodified:
Gomorrah (2008)
137 Minutes
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
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Taxi Driver (1976)
114 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro Cameras | ARRIFLEX 35 BL Camera
Lenses | ARRI / Zeiss Lenses
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The Window (2008)
85 Minutes
Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
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Chronicle of an Escape (2006)
103 Minutes
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce Cameras | ARRICAM Lite (LT) Camera
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The Girl in the Spider’s Web (2018)
115 Minutes
Capture Resolution | 3840 x 2160 (1.78:1) - Capture Resolution, 6560 x 3100 - (2.12:1) Capture Resolution
Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegelmodified:
The Expendables (2010)
103 Minutes
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
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The Love Witch (2016)
120 Minutes
Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller Cameras | ARRICAM Studio (ST) Camera
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The Fast and the Furious (2001)
106 Minutes
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess Lenses | Zeiss Ultra Prime Lenses
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The Cable Guy (1996)
96 Minutes
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
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