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ARRI / Zeiss Lenses | 690 Titles

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Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Geostorm (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Dean Devlin | Cinematography by | Roberto Schaefer | Editing by | Chris Lebenzon, John Refoua, Ron Rosen

Starring | Gerard Butler, Jim Sturgess, Abbie Cornish

Cameras | Red Epic Dragon Camera

Lenses | Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

The Happy Prince (2018)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Rupert Everett | Cinematography by | John Conroy | Editing by | Nicolas Gaster

Starring | Rupert Everett, Colin Firth, Emily Watson

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | ARRI / Zeiss Master Anamorphic Lenses

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

Papillon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Michael Noer | Cinematography by | Hagen Bogdanski | Editing by | John Axelrad, Lee Haugen

Starring | Charlie Hunnam, Damijan Oklopdzic, Christopher Fairbank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Ultra Prime Lenses

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

The Shape of Water (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 123 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Sidney Wolinsky

Starring | Sally Hawkins, Octavia Spencer, Michael Shannon

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Prime Lenses

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Age of Heroes (2011)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Adrian Vitoria | Cinematography by | Mark Hamilton | Editing by | Chris Gill, Joe Parsons

Starring | Sean Bean, Danny Dyer, Aksel Hennie

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Everything Everywhere All at Once (2022)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1 | 139 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers

Starring | Michelle Yeoh, Stephanie Hsu, Jamie Lee Curtis

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Babylon (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 189 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Brad Pitt, Margot Robbie, Jean Smart

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic/i Zoom Lenses, Zeiss Super Speed Lenses

The Walking Dead (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael E. Satrazemis, Stephen Campbell, Rohn Schmidt, Duane Manwiller, David Boyd, Paul Varrieur, David Tattersall | Editing by | Dan Liu, Julius Ramsay, Avi Youabian, Hunter M. Via, Evan Schrodek, Rachel Goodlett Katz, Alan Cody, Nathan Gunn, Kelley Dixon, Tiffany Melvin, Robert Bramwell, Enrique Sanchez, Sidney Wolinsky, Todd Desrosiers, Orlando Machado Jr., Sarah C. Reeves, Jack Colwell, Brian G. Addie

Starring | Andrew Lincoln, Norman Reedus, Melissa McBride, Lauren Cohan

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Super Speeds Mk I Lenses

Kis Uykusu (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 196 Minutes

Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl

Starring | Haluk Bilginer, Melisa Sözen, Demet Akbag, Ayberk Pekcan

Cameras | Sony CineAlta F65 Camera

Lenses | Zeiss Master Prime Lenses

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