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ARRI / Zeiss Master Anamorphic Lenses : 17ARRI / Zeiss Zoom Lenses : 17Zeiss ARRI Macro Lenses : 6Zeiss Master Prime Lenses : 231Zeiss Standard Speed Prime Lenses : 47Zeiss Super Speed Lenses : 118Zeiss Ultra 16 Lenses : 14Zeiss Ultra Prime Lenses : 231Zeiss Variable Prime Lenses : 12

ARRI / Zeiss Lenses | 645 Titles

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Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

L’Arminuta (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Giuseppe Bonito | Cinematography by | Alfredo Betrò | Editing by | Roberto Missiroli

Starring | Aurora Barulli, Carlotta De Leonardis, Fabrizio Ferracane

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens

A Christmas Prince (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey

Starring | Rose McIver, Ben Lamb, Alice Krige

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Ultra Prime Lenses

Mr. Nobody (2009)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress

Starring | Jared Leto, Sarah Polley, Diane Kruger

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Kick-Ass 2 (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Jeff Wadlow | Cinematography by | Tim Maurice-Jones | Editing by | Eddie Hamilton

Starring | Aaron Taylor-Johnson, Chloë Grace Moretz, Christopher Mintz-Plasse

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Fujinon Lenses, Zeiss Master Prime Lenses

BlacKkKlansman (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Spike Lee | Cinematography by | Chayse Irvin | Editing by | Barry Alexander Brown

Starring | John David Washington, Adam Driver, Laura Harrier

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Cold War (2018)

Motion Picture | 2D | 4K Project | Black & White | 1.37:1 | 89 Minutes

Directed by | Pawel Pawlikowski | Cinematography by | Lukasz Zal | Editing by | Jaroslaw Kaminski

Starring | Joanna Kulig, Tomasz Kot, Borys Szyc, Agata Kulesza

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Silverstar (2022)

Motion Picture | 2D | 2K Project | Color | 86 Minutes

Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore

Starring | Anneke Blok, Bo Maerten, Eliyha Altena

Cameras | ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera, Red Komodo Camera

Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens

A Cure for Wellness (2016)

Motion Picture | 2D | 2K Project | Color | 1.66:1, 1.78:1 (16x9) | 146 Minutes

Directed by | Gore Verbinski | Cinematography by | Bojan Bazelli | Editing by | Pete Beaudreau, Lance Pereira

Starring | Dane DeHaan, Jason Isaacs, Mia Goth

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Nomadland (2020)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 107 Minutes

Directed by | Chloé Zhao | Cinematography by | Joshua James Richards

Starring | Frances McDormand, David Strathairn, Linda May

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Some Kind of Heaven (2020)

Documentary | 2D | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim

Starring | Dennis Dean, Lynn Henry, Anne Kincer

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses

Bliss (2019)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier

Starring | Dora Madison, Tru Collins, Rhys Wakefield

Lenses | Zeiss Super Speed Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Edie (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Simon Hunter | Cinematography by | August Jakobsson | Editing by | Olly Stothert

Starring | Sheila Hancock, Kevin Guthrie, Paul Brannigan, Amy Manson

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Master Prime Lenses

The Beach House (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 88 Minutes

Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier

Starring | Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Smuggling Hendrix (2018)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 92 Minutes

Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou

Starring | Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

Empire Hotel (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 82 Minutes

Knives Out (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 130 Minutes

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Daniel Craig, Chris Evans, Ana de Armas

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Panavision Silent Reflex PSR Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses

A Hidden Life (2019)

Motion Picture | 2D | 4K Project | Color | 174 Minutes

Directed by | Terrence Malick | Cinematography by | Jörg Widmer | Editing by | Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Starring | August Diehl, Valerie Pachner, Maria Simon, Karin Neuhäuser

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

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