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In Fabric (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete

Starring | Sidse Babett Knudsen, Marianne Jean-Baptiste, Julian Barratt

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

Arrow (2012)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 42 Minutes

| Cinematography by | Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett | Editing by | Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks

Starring | Stephen Amell, Katie Cassidy, David Ramsey, Susanna Thompson

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HP Zoom Lenses

Puberty Blues (2012)

Television Series | 2D | Color | 45 Minutes

Puberty Blues | ShotOnWhat?

| Cinematography by | John Brawley | Editing by | Deborah Peart, Dany Cooper, Geoff Hitchins, Nicole La Macchia, Bill Russo

Starring | Brenna Harding, Ashleigh Cummings, Sean Keenan, Charlotte Best

Cameras | ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

Zero Dark Thirty (2012)

Motion Picture | 2D | Color | 1.85:1 | 157 Minutes

Directed by | Kathryn Bigelow | Cinematography by | Greig Fraser | Editing by | William Goldenberg, Dylan Tichenor

Starring | Jessica Chastain, Joel Edgerton, Chris Pratt, Mark Strong

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses

Snowboard Academy (1996)

Direct to Video | 2D | Color | 1.33:1 (4x3) | 88 Minutes

Directed by | John Shepphird | Cinematography by | Bruno Philip | Editing by | Richard Comeau

Starring | Jim Varney, Corey Haim, Brigitte Nielsen, Joe Flaherty

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

Apocalypse and the Beauty Queen (2005)

Direct to Video | 2D | Film Project | Color | 1.85:1 | 95 Minutes

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