Executive Producer, Leslie
To Leslie (2022)
Directed by: Michael Morris
Cinematography by: Larkin Seiple
Edited by: Chris McCaleb
Cameras: ARRICAM Lite (LT) Camera
Marilyn Barnett
Battle of the Sexes (2017)
Cinematography by: Linus Sandgren
Edited by: Pamela Martin
Evangeline
'Bloodline' Part 16 (2016)
Directed by: Jean de Segonzac
Cinematography by: Jaime Reynoso
Edited by: Louise Innes
Evangeline
'Bloodline' Part 23 (2016)
Directed by: Daniel Zelman
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Evangeline
'Bloodline' Part 22 (2016)
Directed by: Mikael Håfström
Cinematography by: Jaime Reynoso
Edited by: Louise Innes
Evangeline
'Bloodline' Part 21 (2016)
Directed by: Michael Morris
Cinematography by: Jaime Reynoso
Edited by: Lynne Willingham
Evangeline
'Bloodline' Part 20 (2016)
Directed by: Todd A. Kessler
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Evangeline
'Bloodline' Part 19 (2016)
Directed by: Stephen Williams
Cinematography by: Jaime Reynoso
Edited by: Louise Innes
Evangeline
'Bloodline' Part 18 (2016)
Directed by: Dennie Gordon
Cinematography by: Jaime Reynoso
Edited by: Lynne Willingham
Evangeline
'Bloodline' Part 17 (2016)
Directed by: Daniel Zelman
Cinematography by: Jaime Reynoso
Edited by: Josh Beal
Evangeline
Bloodline (2015)
Directed by: Mikael Håfström, Todd A. Kessler, Ed Bianchi, Michael Morris, Jean de Segonzac, Johan Renck, Daniel Zelman, Mario Van Peebles, Daniel Attias, Adam Bernstein, Simon Cellan Jones, Tate Donovan, Carl Franklin, Alex Graves, Dennie Gordon, Stephen Williams, Michael Apted, David Manson
Edited by: Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget
Cameras: Sony PMW-F55 Camera
Laura
Birdman or (The Unexpected Virtue of Ignorance) (2014)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Editing System: Avid Editing System
Victoria
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Collette
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Sarah
Resistance (2011)
Directed by: Amit Gupta
Cinematography by: John Pardue
Edited by: Chris Barwell
Wallis Simpson
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Brenda
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Chrissie
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Rose
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Dawn
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Period Film Lover
Venus (2006)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Cameras: ARRIFLEX 16SR3 Camera
