ARRI Cameras | 1824 Titles
Crank (2006)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Adam Biddle | Editing by | Brian Berdan
Cameras | ARRIFLEX 435 Advanced Camera, Sony HDC-F950 Camera
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Lenses
Stranger Things (2016)
| Cinematography by | Tim Ives, Tod Campbell, Lachlan Milne, David Franco | Editing by | Kevin D. Ross, Dean Zimmerman, Nat Fuller, Katheryn Naranjo
Lenses | Leica Summilux-C Series Lenses
Monty Python and the Holy Grail (1975)
Directed by | Terry Gilliam, Terry Jones | Cinematography by | Terry Bedford | Editing by | John Hackney
Cameras | ARRIFLEX 35 BL Camera
Terminator: Dark Fate (2019)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA LF, ARRI ALEXA Mini Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Knives Out (2019)
Ophelia (2018)
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus
Lenses | Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Uncut Gems (2019)
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras
Lenses | Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Night Train (1999)
Zack Snyder’s Justice League (2021)
Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35mm Cameras, ARRIFLEX 435 Camera
Lenses | Leica Summilux-C Series Lenses
Dexter: New Blood (2021)
Passengers (2016)
Directed by | Morten Tyldum | Cinematography by | Rodrigo Prieto | Editing by | Maryann Brandon
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Primo 70 Lenses
21 Bridges (2019)
The Night of the Virgin (2016)
Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia
Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera
Wendy (2020)
Directed by | Benh Zeitlin | Cinematography by | Sturla Brandth Grøvlen | Editing by | Scott Cummings, Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Ultra 16 Lenses
Cats (2019)
Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver
Cameras | ARRI ALEXA 65 Camera
The Magicians (2015)
| Cinematography by | Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush | Editing by | Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras | ARRI ALEXA Mini Camera