ARRI Cameras | 1729 Titles
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Live by Night (2016)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg
Cameras | ARRI ALEXA 65 Camera
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Deadwood: The Movie (2019)
Country | USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.0:1
Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
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First Reformed (2017)
Country | USA, UK, Australia
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 1.37:1
Directed by | Paul Schrader | Cinematography by | Alexander Dynan | Editing by | Benjamin Rodriguez Jr.
Cameras | ARRI ALEXA SXT Series Cameras
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Andhadhun (2018)
Country | India
Type | Movie
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti
Cameras | ARRI ALEXA Camera
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Sofia (2018)
Country | France, Qatar, Belgium, Morocco
Type | Motion Picture
Running Time | 80 Minutes
Aspect Ratio | 1.85:1
Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
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Clerks (1994)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
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LBJ (2016)
Country | USA
Type | Motion Picture
Running Time | 98 Minutes
Aspect Ratio | 1.85:1
Directed by | Rob Reiner | Cinematography by | Barry Markowitz | Editing by | Bob Joyce
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision PVintage Prime Lenses
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Gomorrah (2008)
Country | Italy
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
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Hotel Mumbai (2018)
Country | India, Australia, USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x854 - (2.40:1) Capture Resolution
Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
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Mary Poppins Returns (2018)
Country | USA, UK
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
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Taxi Driver (1976)
Country | USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 1.85:1
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | ARRI / Zeiss Lenses
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Secuestro (2016)
Country | Spain
Type | Motion Picture
Running Time | 105 Minutes
Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca
Cameras | ARRI ALEXA XT Plus Camera
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The Window (2008)
Country | Argentina, Spain
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.85:1
Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
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Chronicle of an Escape (2006)
Country | Argentina
Type | Motion Picture
Running Time | 103 Minutes
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce
Cameras | ARRICAM Lite (LT) Camera
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Black Panther (2018)
Country | USA
Type | Motion Picture
Running Time | 134 Minutes
Capture Resolution | 1024x540 - (1.90:1) Capture Resolution, 4448 x 1856 - (2.39:1) Capture Resolution
Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera
Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens
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Munich (2005)
Country | France, Canada, USA
Type | Motion Picture
Running Time | 164 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Lenses
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Afterglow (1997)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.85:1
Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger
Cameras | ARRIFLEX Camera
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The Painted Bird (2019)
Country | Czech Republic, Ukraine, Slovakia
Type | Motion Picture
Running Time | 169 Minutes
Directed by | Václav Marhoul | Cinematography by | Vladimír Smutný | Editing by | Ludek Hudec
Lenses | Hawk V-Lite Lenses
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Atomic Blonde (2017)
Country | Germany, Sweden, USA, Hungary
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.39:1
Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
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