ARRI Cameras | 2118 Titles
Killers of the Flower Moon (2023)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
The Irishman (2019)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
John Wick: Chapter 4 (2023)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses
John Wick: Chapter 3 – Parabellum (2019)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
John Wick: Chapter 2 (2017)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA XT Plus Camera
John Wick (2014)
Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens
Buffalo ’66 (1998)
Directed by | Vincent Gallo | Cinematography by | Lance Acord | Editing by | Curtiss Clayton
Lenses | Zeiss Super Speed Lenses
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
8½ (1963)
Directed by | Federico Fellini | Cinematography by | Gianni Di Venanzo | Editing by | Leo Catozzo
Cameras | ARRIFLEX 35 IIC Camera
The Batman (2022)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson
Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Showgirls (1995)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Mark Helfrich
Cameras | ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera
Dìdi (2024)
Directed by | Sean Wang | Cinematography by | Sam A. Davis | Editing by | Arielle Zakowski
Cameras | ARRI Alexa 35 Camera
The Kid Detective (2020)
Directed by | Evan Morgan | Cinematography by | Mike McLaughlin | Editing by | Curt Lobb
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
The King Tide (2023)
Directed by | Christian Sparkes | Cinematography by | Mike McLaughlin | Editing by | Justin Oakey
Cameras | ARRI ALEXA Mini Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Predator (1987)
Directed by | John McTiernan | Cinematography by | Donald McAlpine | Editing by | Mark Helfrich, John F. Link
Cameras | ARRIFLEX 35 III Camera, Panavision Cameras
Once Upon a Time… in Hollywood (2019)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Fanny and Alexander (1983)
| Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson
Cameras | ARRIFLEX 35 BL Camera
You Were Never Really Here (2017)
Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses
