Camera Operator, Director Of Photography
Hail, Caesar! (2016)
| UK, Japan, USA
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
A Camera Operator, Director Of Photography
Sicario (2015)
| USA, Mexico
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
A Camera Operator, Director Of Photography
Unbroken (2014)
| USA
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Visual Consultant
How to Train Your Dragon 2 (2014)
| USA
Directed by: Dean DeBlois
Cinematography by: Gil Zimmerman
Edited by: John K. Carr
Camera Operator: "a" Camera , Director Of Photography
Prisoners (2013)
| USA
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Consultant
The Croods (2013)
| USA
Cinematography by: Yong Duk Jhun
Edited by: Darren T. Holmes
Camera Operator: "a" Camera, Director Of Photography
Skyfall (2012)
| UK, USA
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Visual Consultant
Rise of the Guardians (2012)
| USA
Directed by: Peter Ramsey
Edited by: Joyce Arrastia
Visual Consultant
Puss in Boots (2011)
| USA
Directed by: Chris Miller
Cinematography by: Gil Zimmerman
Edited by: Erika Dapkewicz
Director Of Photography
In Time (2011)
| USA
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Cinematographer - Cinematography Consultant, Visual Consultant
Rango (2011)
| USA, Brazil, UK
Directed by: Gore Verbinski
Cinematography by: Roger Deakins
Edited by: Craig Wood
Editing System: Avid Editing System
Camera Operator, Director Of Photography
True Grit (2010)
| USA
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Director Of Photography
The Company Men (2010)
| USA
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Camera Operator, Director Of Photography
A Serious Man (2009)
| USA, UK, France
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Camera Operator, Director Of Photography
The Reader (2008)
| Germany, USA
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Camera Operator: "a" Camera, Director Of Photography
Doubt (2008)
| USA
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Visual Consultant
WALL·E (2008)
| USA
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Director Of Photography
Revolutionary Road (2008)
| USA, UK
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Director Of Photography
In the Valley of Elah (2007)
| USA
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Camera Operator: "a" Camera, Director Of Photography
The Assassination of Jesse James by the Coward Robert Ford (2007)
| USA, Canada, UK
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Camera Operator, Director Of Photography
No Country for Old Men (2007)
| USA
Cinematography by: Roger Deakins
Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System
Director Of Photography
Jarhead (2005)
| USA, UK, Germany
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Director Of Photography
The Village (2004)
| USA
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Director Of Photography
The Ladykillers (2004)
| USA
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Director Of Photography
Intolerable Cruelty (2003)
| USA
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Cinematographer
House of Sand and Fog (2003)
| USA
Directed by: Vadim Perelman
Cinematography by: Roger Deakins
Edited by: Lisa Zeno Churgin
Lenses: Cooke S4 Lenses
Camera Operator, Cinematographer
Levity (2003)
| USA, France
Directed by: Ed Solomon
Cinematography by: Roger Deakins
Edited by: Pietro Scalia
Cinematographer
The Man Who Wasn't There (2001)
| USA, UK
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Director Of Photography
A Beautiful Mind (2001)
| USA
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Director Of Photography
O Brother, Where Art Thou? (2000)
| UK, France, USA
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Director Of Photography
The Hurricane (1999)
| USA
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Cinematographer
Anywhere But Here (1999)
| USA
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Cinematographer
The Big Lebowski (1998)
| USA, UK
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Cinematographer
Kundun (1997)
| USA, Monaco, Morocco
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Director Of Photography
Fargo (1996)
| USA, UK
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 BL4 Camera
Director Of Photography
Courage Under Fire (1996)
| USA
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Director Of Photography
Dead Man Walking (1995)
| UK, USA
Directed by: Tim Robbins
Cinematography by: Roger Deakins
Cameras: ARRI Cameras
Director Of Photography
The Hudsucker Proxy (1994)
| UK, Germany, USA
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Director Of Photography
The Shawshank Redemption (1994)
| USA
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Cinematographer
The Secret Garden (1993)
| UK, USA
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Cinematographer
Passion Fish (1992)
| USA
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Director Of Photography
Thunderheart (1992)
| USA
Directed by: Michael Apted
Cinematography by: Roger Deakins
Edited by: Ian Crafford
Cameras: ARRI Cameras
Cinematographer
The Long Walk Home (1990)
| USA
Directed by: Richard Pearce
Cinematography by: Roger Deakins
Edited by: Bill Yahraus
Camera Operator, Director Of Photography
Air America (1990)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Camera Operator, Director Of Photography
Stormy Monday (1988)
| UK, USA
Directed by: Mike Figgis
Cinematography by: Roger Deakins
Edited by: David Martin
