Editor
Tomorrowland (2015)
| USA, Spain
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Editor
Hemingway & Gellhorn (2012)
| USA
Directed by: Philip Kaufman
Cinematography by: Rogier Stoffers
Edited by: Walter Murch
Cameras: ARRI ALEXA Camera
Editor, Sound Re-recordist
Tetro (2009)
| USA, Argentina, Spain, Italy
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Edited by: Walter Murch
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Editor, Sound Re-recording Mixer
Youth Without Youth (2007)
| USA, Romania, France, Italy, Germany
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Edited by: Walter Murch
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Editor, Re-recording Mixer
Jarhead (2005)
| Germany, USA
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Editor, Sound Re-recording Mixer
Cold Mountain (2003)
| USA, UK, Romania, Italy
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Editor, Sound Re-recording Mixer
K-19: The Widowmaker (2002)
| UK, Germany, USA, Canada
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Editor, Score Producer, Sound Re-recording Mixer
The Talented Mr. Ripley (1999)
| USA
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Editor, Sound Re-recording Mixer
The English Patient (1996)
| USA, UK
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editor, Sound Re-recording Mixer
First Knight (1995)
| USA, UK
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Sound Re-recording Mixer
Crumb (1994)
| USA
Directed by: Terry Zwigoff
Cinematography by: Maryse Alberti
Edited by: Victor Livingston
Editor
House of Cards (1993)
| Italy, USA
Directed by: Michael Lessac
Cinematography by: Victor Hammer
Edited by: Walter Murch
Editor, Sound Re-recording Mixer
Ghost (1990)
| USA
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Editor, Sound Re-recording Mixer
The Godfather: Part III (1990)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Editor
The Unbearable Lightness of Being (1988)
| USA
Directed by: Philip Kaufman
Cinematography by: Sven Nykvist
Editor, Sound Designer / Sound Montage / Sound Re-recording Mixer
Apocalypse Now (1979)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses
Editor
Julia (1977)
| USA
Directed by: Fred Zinnemann
Cinematography by: Douglas Slocombe
Cameras: Panavision Cameras
Sound Montage / Sound Re-recordist
The Godfather: Part II (1974)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Post Production Consultant
The Godfather (1972)
| USA
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
