Director Of Photography
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Director Of Photography: Additional Photography
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Director Of Photography
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator: "a" Camera, Main Unit , Director Of Photography
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Cinematographer
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Director Of Photography
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Director Of Photography
Dreamcatcher (2003)
Directed by: Lawrence Kasdan
Cinematography by: John Seale
Cinematographer
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Director Of Photography
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Cinematographer
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Camera Operator: "a" Camera, Director Of Photography
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Director Of Photography
Ghosts of Mississippi (1996)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Camera Operator, Director Of Photography
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Director Of Photography
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator, Cinematographer
Beyond Rangoon (1995)
Directed by: John Boorman
Cinematography by: John Seale
Edited by: Ron Davis
Cinematographer
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Director
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock
Director Of Photography
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography
Rain Man (1988)
Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder
Cameras: Panavision Panaflex Camera
Cinematographer
Gorillas in the Mist (1988)
Directed by: Michael Apted
Cinematography by: John Seale
Edited by: Stuart Baird
Cameras: ARRIFLEX 35 BL4s Camera
Director Of Photography
Stakeout (1987)
Directed by: John Badham
Cinematography by: John Seale
Cameras: Panavision Cameras
Camera Operator: First Camera Crew, Cinematographer
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Director Of Photography
The Hitcher (1986)
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Director Of Photography
Children of a Lesser God (1986)
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
Director Of Photography
Witness (1985)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Camera Operator
Gallipoli (1981)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Cameras: Panavision Cameras
Cinematographer
Fatty Finn (1980)
Directed by: Maurice Murphy
Cinematography by: John Seale
Edited by: Robert Gibson
Camera Operator
The Last Wave (1977)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Max Lemon
