Mitchell BNC Camera | 33 Titles
The Good, the Bad and the Ugly (1966)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
I Love Lucy (1951)
| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn
Cameras | Mitchell BNC Camera
Touch of Evil (1958)
Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss
Cameras | Mitchell BNC Camera, Mitchell NC Camera
Citizen Kane (1941)
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
Lenses | Cooke Speed Panchro Lenses
She Wore a Yellow Ribbon (1949)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell BNC Camera
From Russia with Love (1963)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Goldfinger (1964)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Thunderball (1965)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
You Only Live Twice (1967)
Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell
Cameras | Mitchell BNC Camera
On Her Majesty’s Secret Service (1969)
Directed by | Peter R. Hunt | Cinematography by | Michael Reed | Editing by | John Glen
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Dr. No (1962)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Giant (1956)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence
Cameras | Mitchell BNC Camera
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Double Indemnity (1944)
The Maltese Falcon (1941)
Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards
Cameras | Mitchell BNC Camera
Sunset Blvd. (1950)
Directed by | Billy Wilder | Cinematography by | John F. Seitz | Editing by | Arthur P. Schmidt
Cameras | Mitchell BNC Camera
The Prisoner (1967)
| Cinematography by | Brendan J. Stafford | Editing by | Lee Doig, Geoffrey Foot, Eric Boyd-Perkins, John S. Smith, Noreen Ackland, Spencer Reeve
Cameras | Mitchell BNC Camera
Persona (1966)
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe
Cameras | Mitchell BNC Camera
Don Quixote (1973)
Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley
Cameras | Mitchell BNC Camera
Lenses | Angenieux 24-240 mm f2.6 Zoom Lens
Going My Way (1944) 
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
Cameras | Mitchell BNC Camera
