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Mitchell BNC Camera  |  21 Titles

Mitchell BNC Camera 4.08/5 13 Votes

The Prisoner   (1967)

  |    |    |    |  50 Minutes

Persona   (1966)

  |    |    |    |    |  83 Minutes
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe

Barry Lyndon   (1975)

  |    |    |    |    |  185 Minutes

Citizen Kane   (1941)

  |    |    |    |    |  119 Minutes
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise

Don Quixote   (1973)

  |    |  Color  |  111 Minutes

Going My Way   (1944) oscar-icon

  |    |    |    |  126 Minutes
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone

On the Waterfront   (1954) oscar-icon

  |    |    |  , ,   |  108 Minutes
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford

I Call First   (1967)

  |    |    |  90 Minutes

Dr. No   (1962)

  |    |    |  ,   |  110 Minutes
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

I Love Lucy   (1951)

  |    |    |  30 Minutes

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb   (1964)

  |    |    |  95 Minutes
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey

Rio Bravo   (1959)

  |    |    |  141 Minutes
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted

A Double Life   (1947)

  |    |    |  104 Minutes
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish

Casablanca   (1942) oscar-icon

  |    |    |  ,   |  102 Minutes
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks

Once Upon a Time in the West   (1968)

  |    |    |  165 Minutes

The Family Jewels   (1965)

  |  Color  |    |  99 Minutes
Directed by | Jerry Lewis | Cinematography by | W. Wallace Kelley | Editing by | John Woodcock

Suspiria   (1977)

  |    |    |    |  92 Minutes

Psycho   (1960)

  |    |    |    |    |  109 Minutes
Directed by | Alfred Hitchcock | Cinematography by | John L. Russell | Editing by | George Tomasini

Rear Window   (1954)

  |    |  Color, Color  |    |  112 Minutes
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Cool Hand Luke   (1967)

  |    |    |    |    |  127 Minutes
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
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