Mitchell BNC Camera | 21 Titles
The Prisoner (1967)
| Cinematography by | Brendan J. Stafford | Editing by | Lee Doig, Geoffrey Foot, Eric Boyd-Perkins, John S. Smith, Noreen Ackland, Spencer Reeve
Cameras | Mitchell BNC Camera
Persona (1966)
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Ulla Ryghe
Cameras | Mitchell BNC Camera
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Citizen Kane (1941)
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
Don Quixote (1973)
Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley
Cameras | Mitchell BNC Camera
Lenses | Angenieux 24-240 f2.6 Zoom Lens
Going My Way (1944)
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
Cameras | Mitchell BNC Camera
On the Waterfront (1954)
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford
Cameras | Mitchell BNC Camera
I Call First (1967)
Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker
Cameras | Éclair NPR Camera, Mitchell BNC Camera
Dr. No (1962)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
I Love Lucy (1951)
| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn
Cameras | Mitchell BNC Camera
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
Rio Bravo (1959)
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
Cameras | Mitchell BNC Camera
A Double Life (1947)
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish
Cameras | Mitchell BNC Camera
Casablanca (1942)
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks
Cameras | Mitchell BNC Camera
Once Upon a Time in the West (1968)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
The Family Jewels (1965)
Directed by | Jerry Lewis | Cinematography by | W. Wallace Kelley | Editing by | John Woodcock
Cameras | Mitchell BNC Camera
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Psycho (1960)
Directed by | Alfred Hitchcock | Cinematography by | John L. Russell | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Rear Window (1954)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Cool Hand Luke (1967)
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
Cameras | Mitchell BNC Camera
Lenses | Panavision Lenses