Mitchell BNC Camera | 34 Titles
Going My Way (1944)
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
Cameras | Mitchell BNC Camera
On the Waterfront (1954)
Directed by | Elia Kazan | Cinematography by | Boris Kaufman | Editing by | Gene Milford
Cameras | Mitchell BNC Camera
I Call First (1967)
Directed by | Martin Scorsese | Cinematography by | Richard H. Coll, Michael Wadleigh | Editing by | Thelma Schoonmaker
Cameras | Éclair NPR Camera, Mitchell BNC Camera
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Directed by | Stanley Kubrick | Cinematography by | Gilbert Taylor | Editing by | Anthony Harvey
Cameras | Mitchell BNC Camera
Rio Bravo (1959)
Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted
Cameras | Mitchell BNC Camera
A Double Life (1947)
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish
Cameras | Mitchell BNC Camera
Casablanca (1942)
Directed by | Michael Curtiz | Cinematography by | Arthur Edeson | Editing by | Owen Marks
Cameras | Mitchell BNC Camera
Once Upon a Time in the West (1968)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
The Family Jewels (1965)
Directed by | Jerry Lewis | Cinematography by | W. Wallace Kelley | Editing by | John Woodcock
Cameras | Mitchell BNC Camera
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Psycho (1960)
Directed by | Alfred Hitchcock | Cinematography by | John L. Russell | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Rear Window (1954)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | Mitchell BNC Camera
Cool Hand Luke (1967)
Directed by | Stuart Rosenberg | Cinematography by | Conrad L. Hall | Editing by | Sam O'Steen
Cameras | Mitchell BNC Camera
Lenses | Panavision Lenses
The Sound of Music (1965)
Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds
Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70