Michael Mann

19 Titles

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Tai Chi Class

The Intern (2015)

Motion Picture

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Producer

Texas Killing Fields (2011)

Motion Picture

| USA

Directed by: Ami Canaan Mann

Cinematography by: Stuart Dryburgh

Edited by: Cindy Mollo

Camera Operator (uncredited), Director, Producer, Screenplay

Public Enemies (2009)

Motion Picture

| USA, Japan

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Executive, Producer

Hancock (2008)

Motion Picture

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Producer

The Kingdom (2007)

Motion Picture

| USA, Germany

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Director, Producer, Written By

Miami Vice (2006)

Motion Picture

| USA, Germany, Paraguay, Uruguay

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Camera Operator (uncredited), Director, Producer

Collateral (2004)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Producer

The Aviator (2004)

Motion Picture

| USA, Germany

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Executive Producer

Baadasssss! (2003)

Motion Picture

| USA

Directed by: Mario Van Peebles

Cinematography by: Robert Primes

Edited by: Nneka Goforth, Anthony Miller

Camera Operator (uncredited), Director, Producer, Screenplay

Ali (2001)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Camera Operator (uncredited), Director, Producer, Written By

The Insider (1999)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

Director, Producer, Written By

Heat (1995)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Director, Producer, Screenplay

The Last of the Mohicans (1992)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Director, Executive Producer, Written By

L.A. Takedown (1989)

Television Movie

| USA

Directed by: Michael Mann

Cinematography by: Ronald Víctor García

Edited by: Dov Hoenig

Camera Operator, Director, Screenplay

Manhunter (1986)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig

Executive Producer

Band of the Hand (1986)

Motion Picture

| USA

Directed by: Paul Michael Glaser

Cinematography by: Reynaldo Villalobos

Edited by: Jack Hofstra

Director, Screenplay

The Keep (1983)

Motion Picture

| USA, UK

Directed by: Michael Mann

Cinematography by: Alex Thomson

Edited by: Dov Hoenig, Tony Palmer

Cameras: ARRIFLEX 35 BL3 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Director, Executive Producer, Screen Story, Screenplay

Thief (1981)

Motion Picture

| USA

Directed by: Michael Mann

Cinematography by: Donald E. Thorin

Edited by: Dov Hoenig

Cameras: Panavision Cameras

Uncredite

Straight Time (1978)

Motion Picture

| USA

Directed by: Ulu Grosbard, Dustin Hoffman

Cinematography by: Owen Roizman

Edited by: Sam O'Steen, Randy Roberts

Cameras: Panavision Cameras

20204.20

Michael Mann

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Tai Chi Class

Producer

Camera Operator (uncredited), Director, Producer, Screenplay

Executive, Producer

Producer

Director, Producer, Written By

Camera Operator (uncredited), Director, Producer

Producer

Executive Producer

Camera Operator (uncredited), Director, Producer, Screenplay

Camera Operator (uncredited), Director, Producer, Written By

Director, Producer, Written By

Director, Producer, Screenplay

Director, Executive Producer, Written By

Camera Operator, Director, Screenplay

Executive Producer

Director, Screenplay

Director, Executive Producer, Screen Story, Screenplay

Uncredite

ShotOnWhat is Broken.