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Michael Mann

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Tai Chi Class

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Producer

Texas Killing Fields (2011)

| USA

Directed by: Ami Canaan Mann

Cinematography by: Stuart Dryburgh

Edited by: Cindy Mollo

Camera Operator , Director, Producer, Screenplay

Public Enemies (2009)

| USA, Japan

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Executive, Producer

Hancock (2008)

| USA

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Producer

The Kingdom (2007)

| USA, Germany, United Arab Emirates

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

Director, Producer, Written By

Miami Vice (2006)

| USA, Germany, Paraguay, Uruguay

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Producer

The Aviator (2004)

| Germany, USA

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Camera Operator , Director, Producer, Script Revisions

Collateral (2004)

| USA

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Executive Producer

Baadasssss! (2003)

| USA

Directed by: Mario Van Peebles

Cinematography by: Robert Primes

Edited by: Nneka Goforth, Anthony Miller

Camera Operator , Director, Producer, Screenplay

Ali (2001)

| USA

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Camera Operator , Director, Producer, Written By

The Insider (1999)

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

Director, Producer, Written By

Heat (1995)

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Director, Producer, Screenplay

The Last of the Mohicans (1992)

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig, Arthur Schmidt

Cameras: Panavision Cameras

Director, Executive Producer, Written By

L.A. Takedown (1989)

Television Movie

| USA

Directed by: Michael Mann

Cinematography by: Ronald Víctor García

Edited by: Dov Hoenig

Executive Producer

Band of the Hand (1986)

| USA

Directed by: Paul Michael Glaser

Cinematography by: Reynaldo Villalobos

Edited by: Jack Hofstra

Camera Operator, Director, Screenplay By

Manhunter (1986)

| USA

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Dov Hoenig

Director, Screenplay

The Keep (1983)

| UK, USA

Directed by: Michael Mann

Cinematography by: Alex Thomson

Edited by: Dov Hoenig, Tony Palmer

Cameras: ARRIFLEX 35 BL3 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Director, Executive Producer, Screen Story, Screenplay

Thief (1981)

| USA

Directed by: Michael Mann

Cinematography by: Donald E. Thorin

Edited by: Dov Hoenig

Cameras: Panavision Cameras

Straight Time (1978)

| USA

Directed by: Ulu Grosbard, Dustin Hoffman

Cinematography by: Owen Roizman

Edited by: Sam O'Steen, Randy Roberts

Cameras: Panavision Cameras

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