Director Of Photography: Second Unit
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Director Of Photography: Second Unit
Swimfan (2002)
Directed by: John Polson
Cinematography by: Giles Nuttgens
Edited by: Sarah Flack
New Best Friend (2002)
Directed by: Zoe Clarke-Williams
Cinematography by: Tom Priestley Jr.
Cameras: Panavision Cameras
Cinematographer
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Director Of Photography
Barbershop (2002)
Directed by: Tim Story
Cinematography by: Tom Priestley Jr.
Edited by: John Carter
Director Of Photography: New York Second Unit , Second Unit Director: New York
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Director Of Photography
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Director Of Photography: Los Angeles Second Unit, Second Unit Director: Los Angeles
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Director Of Photography: Second Unit
For Richer or Poorer (1997)
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Director Of Photography: Second Unit
I Know What You Did Last Summer (1997)
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Double Team (1997)
Directed by: Hark Tsui
Cinematography by: Peter Pau
Edited by: Bill Pankow
Lenses: Angenieux Lenses, Zeiss Lenses
Director Of Photography
Bordello of Blood (1996)
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy
Director Of Photography: Second Unit
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Director Of Photography: Second Unit
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Director Of Photography: Second Unit
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Camera Operator
Searching for Bobby Fischer (1993)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Director Of Photography: Second Unit
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Director Of Photography: Second Unit
Striking Distance (1993)
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Additional Photographer
A League of Their Own (1992)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
Sleeping with the Enemy (1991)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Camera Operator
Loose Cannons (1990)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Camera Operator
She-Devil (1989)
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Camera Operator
Second Sight (1989)
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray
Cameras: Panavision Cameras
Director Of Photography: Second Unit
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Camera Operator
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Director Of Photography: New York Second Unit
Big Business (1988)
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas
Camera Operator
Funny Farm (1988)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim
Camera Operator: New York
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Camera Operator / Director Of Photography: Second Unit
F/X (1986)
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings
Cameras: Panavision Cameras
Camera Operator
A Chorus Line (1985)
Directed by: Richard Attenborough
Cinematography by: Ronnie Taylor
Edited by: John Bloom
Camera Operator: Second Unit
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Cinematographer - 26 Episodes, 1985-1986
Miami Vice (1984)
Directed by: John Nicolella, Richard Compton, Leon Ichaso, Vern Gillum, Don Johnson, Jim Johnston, David Jackson, Colin Bucksey, Virgil W. Vogel, Paul Michael Glaser, Rob Cohen, Jan Eliasberg, Aaron Lipstadt, James Quinn, Georg Stanford Brown, Lee H. Katzin, David Anspaugh, Abel Ferrara, Michael O'Herlihy, Mario DiLeo, Gabrielle Beaumont, Paul Krasny, George Mendeluk, Michelle Manning, Russ Mayberry, Alan Myerson, Thomas Carter, Richard A. Colla, Stan Lathan, Alan J. Levi, John Llewellyn Moxey, Bobby Roth, David Soul, Harry Mastrogeorge, Edward James Olmos, Tim Zinnemann, Daniel Attias, Craig Bolotin, Christopher Crowe, Dick Miller, Fred Walton, Ate de Jong, Tony Wharmby, Bill Duke, Donald L. Gold, Randy Roberts, Chip Chalmers, James A. Contner, Eugene Corr, Michael B. Hoggan, Robert Iscove
Cinematography by: Oliver Wood, Tom Priestley Jr., Duke Callaghan, James A. Contner, Michael McGowan, Robert E. Collins, William Cronjager, Victor Hammer
Edited by: Robert A. Daniels, Michael D. Ornstein, Michael B. Hoggan, Kevin Krasny, Douglas Ibold, Dick Williams, Casey O. Rohrs, Robert L. Sinise, Steve Shultz, Jack Horger, Eric A. Sears, Barry B. Leirer, Gene Foster, Buford F. Hayes, David Rosenbloom, David Solomon, Joel Goodman, Dov Hoenig, Sidney Wolinsky, Lawrence J. Gleason, Richard Leeman
Cameras: Panavision Panaflex Series Cameras
Camera Operator
The Pope of Greenwich Village (1984)
Directed by: Stuart Rosenberg
Cinematography by: John Bailey
Edited by: Robert Brown
Camera Operator
Falling in Love (1984)
Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn
First Camera Operator
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
The Survivors (1983)
Directed by: Michael Ritchie
Cinematography by: Billy Williams
Edited by: Richard A. Harris
Camera Operator
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
Camera Operator
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
Camera Operator
The World According to Garp (1982)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Stephen A. Rotter
Camera Operator
Wolfen (1981)
Directed by: Michael Wadleigh
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Camera Operator
Fame (1980)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Camera Operator
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
Camera Operator
Kramer vs. Kramer (1979)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Gerald B. Greenberg
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Camera Operator
Saturday Night Fever (1977)
Directed by: John Badham
Cinematography by: Ralf D. Bode
Edited by: David Rawlins
Cameras: Panavision Cameras
First Assistant Cameraman
Annie Hall (1977)
Directed by: Woody Allen
Cinematography by: Gordon Willis
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Camera
Three Days of the Condor (1975)
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Don Guidice
Assistant Camera
The Taking of Pelham One Two Three (1974)
Directed by: Joseph Sargent
Cinematography by: Owen Roizman
Assistant Camera
The Exorcist (1973)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Camera
The French Connection (1971)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Edited by: Gerald B. Greenberg
Cameras: ARRIFLEX 35 IIC Camera
Lenses: ARRI / Zeiss Lenses
Assistant Camera
The Gang That Couldn't Shoot Straight (1971)
Directed by: James Goldstone
Cinematography by: Owen Roizman
Edited by: Edward A. Biery
Cameras: Panavision Cameras
Assistant Camera
Midnight Cowboy (1969)
Directed by: John Schlesinger
Cinematography by: Adam Holender
Edited by: Hugh A. Robertson
