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Tom Priestley Jr.

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Director Of Photography: Second Unit

Cursed  (2005)

| Germany, USA
Directed by: Wes Craven
Cinematography by: Robert McLachlan

Cinematographer

Undercover Brother  (2002)

| USA
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr

Director Of Photography: Second Unit

Swimfan  (2002)

| USA
Directed by: John Polson
Cinematography by: Giles Nuttgens
Edited by: Sarah Flack

Director Of Photography: New York Second Unit , Second Unit Director: New York

Don't Say a Word  (2001)

| USA, Australia, Switzerland, Canada
Directed by: Gary Fleder
Cinematography by: Amir Mokri

Director Of Photography: Los Angeles Second Unit, Second Unit Director: Los Angeles

Deep Impact  (1998)

| USA
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann

Director Of Photography: Second Unit

For Richer or Poorer  (1997)

| USA
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove

Director Of Photography: Second Unit

Double Team  (1997)

| USA, Hong Kong
Directed by: Hark Tsui
Cinematography by: Peter Pau
Edited by: Bill Pankow

Director Of Photography: Second Unit

I Know What You Did Last Summer  (1997)

| USA
Directed by: Jim Gillespie
Cinematography by: Denis Crossan
Edited by: Steve Mirkovich

Director Of Photography

Bordello of Blood  (1996)

| USA
Directed by: Gilbert Adler
Cinematography by: Tom Priestley Jr.
Edited by: Stephen Lovejoy

Director Of Photography: Second Unit

Die Hard: With a Vengeance  (1995)

| USA
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright

Director Of Photography: Second Unit

Fair Game  (1995)

| USA
Directed by: Andrew Sipes
Cinematography by: Richard Bowen

Cinematographer

Blue Chips  (1994)

| USA
Directed by: William Friedkin
Cinematography by: Tom Priestley Jr.

Camera Operator

Searching for Bobby Fischer  (1993)

| USA
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman

Director Of Photography: Second Unit

Demolition Man  (1993)

| USA
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird

Director Of Photography: Second Unit

Striking Distance  (1993)

| USA
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg

Additional Photographer

A League of Their Own  (1992)

| USA
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek

Camera Operator

Sleeping with the Enemy  (1991)

| USA
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers

Camera Operator

Awakenings  (1990)

| USA
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek

Camera Operator

Loose Cannons  (1990)

| USA
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole

Camera Operator

She-Devil  (1989)

| USA
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay

Camera Operator

Family Business  (1989)

| USA
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein

Director Of Photography: Second Unit

See No Evil, Hear No Evil  (1989)

| USA
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones

Camera Operator

Parenthood  (1989)

| USA
Directed by: Ron Howard
Cinematography by: Donald McAlpine

Camera Operator

Second Sight  (1989)

| USA
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray

Director Of Photography: New York Second Unit

Big Business  (1988)

| USA
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas

Camera Operator: New York

Scrooged  (1988)

| USA
Directed by: Richard Donner
Cinematography by: Michael Chapman

Camera Operator

Funny Farm  (1988)

| USA
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim

Camera Operator / Director Of Photography: Second Unit

F/X  (1986)

| USA
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings

Camera Operator: Second Unit

Runaway Train  (1985)

| USA
Cinematography by: Alan Hume
Edited by: Henry Richardson

Camera Operator

A Chorus Line  (1985)

| USA
Cinematography by: Ronnie Taylor
Edited by: John Bloom

Camera Operator

The Pope of Greenwich Village  (1984)

| USA
Directed by: Stuart Rosenberg
Cinematography by: John Bailey
Edited by: Robert Brown

First Camera Operator

Amadeus  (1984) oscar-icon

| USA, France, Czechoslovakia
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek

Camera Operator

Falling in Love  (1984)

| USA
Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn

Camera Operator

Silkwood  (1983)

| USA
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen

Camera Operator

The Survivors  (1983)

| USA
Directed by: Michael Ritchie
Cinematography by: Billy Williams

Camera Operator

Sophie's Choice  (1982)

| UK, USA
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman

Camera Operator

Ragtime  (1981)

| USA
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek

Camera Operator

Rollover  (1981)

| USA
Directed by: Alan J. Pakula
Edited by: Evan A. Lottman

Camera Operator

Fame  (1980)

| USA
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling

Camera Operator

Last Embrace  (1979)

| USA
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin

Camera Operator

Hair  (1979)

| West Germany, USA
Directed by: Milos Forman

First Assistant Cameraman

Annie Hall  (1977) oscar-icon

| USA
Directed by: Woody Allen
Cinematography by: Gordon Willis

Camera Operator

Saturday Night Fever  (1977)

| USA
Directed by: John Badham
Cinematography by: Ralf D. Bode
Edited by: David Rawlins

Assistant Camera

Three Days of the Condor  (1975)

| USA
Directed by: Sydney Pollack
Cinematography by: Owen Roizman
Edited by: Don Guidice

Assistant Camera

The Exorcist  (1973)

| USA
Directed by: William Friedkin
Cinematography by: Owen Roizman

Assistant Camera

Midnight Cowboy  (1969) oscar-icon

| USA
Directed by: John Schlesinger
Cinematography by: Adam Holender