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Rob Cohen

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Director

Alex Cross (2012)

| USA, France

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Director

The Mummy: Tomb of the Dragon Emperor (2008)

| USA, Germany, China, Canada

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Executive Producer

xXx: State of the Union (2005)

| USA

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Director

Stealth (2005)

| USA

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Stephen E. Rivkin

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Colombian Horseman, Director

xXx (2002)

| USA

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

Director, Pizza Hut Delivery Guy

The Fast and the Furious (2001)

| USA, Germany

Directed by: Rob Cohen

Cinematography by: Ericson Core

Edited by: Peter Honess

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

College Lecturer, Director

The Skulls (2000)

| USA, Canada

Directed by: Rob Cohen

Cinematography by: Shane Hurlbut

Edited by: Peter Amundson

Director

DragonHeart (1996)

| USA

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Director, Elliott

Daylight (1996)

| USA

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Producer, Second Unit Director

The Hard Way (1991)

| USA

Directed by: John Badham

Cinematography by: Donald McAlpine, Robert Primes

Edited by: Tony Lombardo, Frank Morriss

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Producer, Second Unit Director

Bird on a Wire (1990)

| USA

Directed by: John Badham

Cinematography by: Robert Primes

Edited by: Frank Morriss, Dallas Puett

Executive Producer

Disorganized Crime (1989)

| USA

Directed by: Jim Kouf

Cinematography by: Ronald Víctor García

Edited by: Frank Morriss, Dallas Puett

Executive Producer

The Running Man (1987)

| USA

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

Executive Producer

The Witches of Eastwick (1987)

| USA

Directed by: George Miller

Cinematography by: Vilmos Zsigmond

Edited by: Hubert de La Bouillerie, Richard Francis-Bruce

Director, Screenplay, Story

Scandalous (1984)

| UK, USA

Directed by: Rob Cohen

Cinematography by: Jack Cardiff

Edited by: Michael Bradsell

Producer

The Wiz (1978)

| USA

Directed by: Sidney Lumet

Cinematography by: Oswald Morris

Edited by: Dede Allen

Producer

The Bingo Long Traveling All-Stars & Motor Kings (1976)

| USA

Directed by: John Badham

Cinematography by: Bill Butler

Edited by: David Rawlins

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