Cinematographer
'Into the Badlands' Chapter I: The Fort (2015)
| USA
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Vikash Patel
Cinematographer
'Into the Badlands' Chapter V: Snake Creeps Down (2015)
| USA
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Cinematographer
'Into the Badlands' Chapter II: Fist Like a Bullet (2015)
| USA
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Anthony Pinker
Cinematographer
'Into the Badlands' Chapter VI: Hand of Five Poisons (2015)
| USA
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Cinematographer
'Into the Badlands' Chapter III: White Stork Spreads Wings (2015)
| USA
Directed by: David Dobkin
Cinematography by: Shane Hurlbut
Edited by: Ray Daniels III
Director Of Photography
Fathers & Daughters (2015)
| Italy, USA
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Cinematographer
'Into the Badlands' Chapter IV: Two Tigers Subdue Dragons (2015)
| USA
Directed by: Guy Ferland
Cinematography by: Shane Hurlbut
Director Of Photography
Need for Speed (2014)
| USA, India
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 19.5-94mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Summicron-C 21 mm T2.0 Lens, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Director Of Photography
Act of Valor (2012)
| USA
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Director Of Photography
Terminator Salvation (2009)
| USA, Germany, UK, Italy
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Director Of Photography
Swing Vote (2008)
| USA
Directed by: Joshua Michael Stern
Cinematography by: Shane Hurlbut
Edited by: Jeff McEvoy
Director Of Photography
Semi-Pro (2008)
| USA
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Director Of Photography
Waist Deep (2006)
| USA
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Director Of Photography
We Are Marshall (2006)
| USA
Directed by: McG
Cinematography by: Shane Hurlbut
Cinematographer
Into the Blue (2005)
| USA
Directed by: John Stockwell
Cinematography by: Shane Hurlbut
Director Of Photography
Mr 3000 (2004)
| USA
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Director Of Photography
The Skulls (2000)
| USA, Canada
Directed by: Rob Cohen
Cinematography by: Shane Hurlbut
Edited by: Peter Amundson
