Philippe Rousselot

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The Nice Guys | ShotOnWhat?

Director Of Photography

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Director Of Photography

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Beautiful Creatures | ShotOnWhat?

Director Of Photography

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Cinematographer

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Larry Crowne | ShotOnWhat?

Director Of Photography

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Sherlock Holmes | ShotOnWhat?

Director Of Photography

Sherlock Holmes (2009)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera

Lenses: Panavision Primo Classic Spherical Lenses

The Brave One | ShotOnWhat?

Director Of Photography

The Brave One (2007)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Tony Lawson

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Lions for Lambs | ShotOnWhat?

Director Of Photography

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Great Debaters | ShotOnWhat?

Director Of Photography

The Great Debaters (2007)

Directed by: Denzel Washington

Cinematography by: Philippe Rousselot

Edited by: John Breinholt, Hughes Winborne

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Constantine | ShotOnWhat?

Director Of Photography

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Charlie and the Chocolate Factory | ShotOnWhat?

Director Of Photography

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Big Fish | ShotOnWhat?

Cinematographer

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Planet of the Apes | ShotOnWhat?

Director Of Photography

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Tailor of Panama | ShotOnWhat?

Cinematographer

The Tailor of Panama (2001)

Directed by: John Boorman

Cinematography by: Philippe Rousselot

Edited by: Ron Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Remember the Titans | ShotOnWhat?

Director Of Photography

Remember the Titans (2000)

Directed by: Boaz Yakin

Cinematography by: Philippe Rousselot

Edited by: Michael Tronick

Instinct | ShotOnWhat?

Director Of Photography

Instinct (1999)

Directed by: Jon Turteltaub

Cinematography by: Philippe Rousselot

Edited by: Richard Francis-Bruce

Random Hearts | ShotOnWhat?

Director Of Photography

Random Hearts (1999)

Directed by: Sydney Pollack

Cinematography by: Philippe Rousselot

Edited by: William Steinkamp

Mary Reilly | ShotOnWhat?

Director Of Photography

Mary Reilly (1996)

Directed by: Stephen Frears

Cinematography by: Philippe Rousselot

Edited by: Lesley Walker

The People vs. Larry Flynt | ShotOnWhat?

Cinematographer

The People vs. Larry Flynt (1996)

Directed by: Milos Forman

Cinematography by: Philippe Rousselot

Edited by: Christopher Tellefsen

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Queen Margot | ShotOnWhat?

Cinematographer

Queen Margot (1994)

Directed by: Patrice Chéreau

Cinematography by: Philippe Rousselot

Edited by: François Gédigier, Hélène Viard

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Director Of Photography

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sommersby | ShotOnWhat?

Director Of Photography

Sommersby (1993)

Directed by: Jon Amiel

Cinematography by: Philippe Rousselot

Edited by: Peter Boyle

Flesh and Bone | ShotOnWhat?

Cinematographer

Flesh and Bone (1993)

Directed by: Steve Kloves

Cinematography by: Philippe Rousselot

Edited by: Mia Goldman

A River Runs Through It | ShotOnWhat?

Cinematographer, Director Of Photography

A River Runs Through It (1992)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Robert Estrin, Lynzee Klingman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

We're No Angels | ShotOnWhat?

Director Of Photography

We're No Angels (1989)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Cameras

The Bear | ShotOnWhat?

Cinematographer

The Bear (1988)

Directed by: Jean-Jacques Annaud

Cinematography by: Philippe Rousselot

Edited by: Noëlle Boisson

Dangerous Liaisons | ShotOnWhat?

Cinematographer

Dangerous Liaisons (1988)

Directed by: Stephen Frears

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley

Cameras: Moviecam 3N Camera

Lenses: Angenieux Lenses, Zeiss Super Speed Lenses

Hope and Glory | ShotOnWhat?

Cinematographer

Hope and Glory (1987)

Directed by: John Boorman

Cinematography by: Philippe Rousselot

Edited by: Ian Crafford

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke Varopanchro 20-60mm T3.1 Lens, Zeiss Super Speed Lenses

The Emerald Forest | ShotOnWhat?

Director Of Photography

The Emerald Forest (1985)

Directed by: John Boorman

Cinematography by: Philippe Rousselot

Edited by: Ian Crafford

Diva | ShotOnWhat?

Cinematographer

Diva (1981)

Directed by: Jean-Jacques Beineix

Cinematography by: Philippe Rousselot

Edited by: Monique Prim, Marie-Josèphe Yoyotte

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