Editor
'Them' Episode #2.1 (2023)
Directed by: Craig William Macneill
Cinematography by: Brendan Uegama
Edited By
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Additional Editor
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Additional Editor
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Editor
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Editor
Friday the 13th (2009)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Ken Blackwell
Visual Effects Editor
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Film Editor
The Butcher (2009)
Directed by: Jesse V. Johnson
Cinematography by: Robert Hayes
Edited by: Ken Blackwell
Editor
The Last Sentinel (2007)
Directed by: Jesse V. Johnson
Cinematography by: Robert Hayes
Edited by: Ken Blackwell
Associate Editor
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Visual Effects Editor
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
First Assistant Editor
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Visual Effects Editor
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Additional Editor
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Editor
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Visual Effects Editor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
First Assistant Editor: Avid
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
First Assistant Editor
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Assistant Editor
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Assistant Editor
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Associate Editor
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Associate Editor
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
First Assistant Editor
The Cowboy Way (1994)
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
First Assistant Film Editor
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Assistant Film Editor
Scent of a Woman (1992)
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Assistant Film Editor
'Twin Peaks' Episode #2.20 (1991)
Directed by: Stephen Gyllenhaal
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor
'Twin Peaks' Episode #2.17 (1991)
Directed by: James Foley
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor
'Twin Peaks' Episode #2.14 (1991)
Directed by: Uli Edel
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor
'Twin Peaks' Episode #2.11 (1990)
Directed by: Duwayne Dunham
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor
'Twin Peaks' Episode #2.8 (1990)
Directed by: Caleb Deschanel
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor
'Twin Peaks' Episode #2.5 (1990)
Directed by: Graeme Clifford
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor
'Twin Peaks' Episode #2.2 (1990)
Directed by: David Lynch
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Apprentice Editor
'Twin Peaks' Episode #1.8 (1990)
Directed by: Mark Frost
Cinematography by: Frank Byers
Edited by: Paul Trejo
Assistant Editor
'Twin Peaks' Episode #1.3 (1990)
Directed by: David Lynch
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Editor
'Twin Peaks' Episode #1.2 (1990)
Directed by: Duwayne Dunham
Cinematography by: Frank Byers
Edited by: Jonathan P. Shaw
Assistant Film Editor / Assistant Editor / Apprentice Editor - 10 Episodes, 1990-1991
Twin Peaks (1990)
Directed by: David Lynch, Lesli Linka Glatter, Caleb Deschanel, Duwayne Dunham, Tim Hunter, Todd Holland, Tina Rathborne, Graeme Clifford, Mark Frost, Uli Edel, James Foley, Stephen Gyllenhaal, Diane Keaton, Jonathan Sanger
Lenses: Panavision Lenses
Editing System: Steenbeck Editing System
First Assistant Editor
Across the Tracks (1990)
Directed by: Sandy Tung
Cinematography by: Michael Delahoussaye
Edited by: Farrel Levy
Cameras: ARRI Cameras
