Michael Bay

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Producer - P.g.a.

A Quiet Place (2018)

Motion Picture

| USA

Directed by: John Krasinski

Cinematography by: Charlotte Bruus Christensen

Edited by: Christopher Tellefsen

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Camera Operator , Director, Executive Producer, Truck Passenger

Transformers: Age of Extinction (2014)

Motion Picture

| USA, China, Hong Kong

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leica Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Producer

The Purge: Anarchy (2014)

Motion Picture

| USA, France

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Producer

Teenage Mutant Ninja Turtles (2014)

Motion Picture

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Director, Producer

Pain & Gain (2013)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Producer

The Purge (2013)

Motion Picture

| USA, France

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

Producer

I Am Number Four (2011)

Motion Picture

| USA, India

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Camera Operator , Director, Executive Producer

Transformers: Dark of the Moon (2011)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Producer

A Nightmare on Elm Street (2010)

Motion Picture

| USA

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Camera Operator , Director, Executive Producer, Script Consultant

Transformers: Revenge of the Fallen (2009)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Presenter, Producer

Horsemen (2009)

Motion Picture

| USA

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

Producer

Friday the 13th (2009)

Motion Picture

| USA

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Presenter, Producer

The Unborn (2009)

Motion Picture

| USA

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Producer

The Hitcher (2007)

Motion Picture

| USA

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

Camera Operator , Director, Executive Producer, Guy Flicked By Megatron

Transformers (2007)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Producer

The Texas Chainsaw Massacre: The Beginning (2006)

Motion Picture

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Producer

The Amityville Horror (2005)

Motion Picture

| USA

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Camera Operator , Director, Producer

The Island (2005)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Camera Operator , Crappy Car Driver, Director, Executive Soundtrack Producer

Bad Boys II (2003)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Producer

The Texas Chainsaw Massacre (2003)

Motion Picture

| USA

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Glen Scantlebury

Camera Operator , Director, Producer

Pearl Harbor (2001)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Photographer

Coyote Ugly (2000)

Motion Picture

| USA

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

Frat Boy

Mystery Men (1999)

Motion Picture

| USA

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Director, NASA Scientist, Producer

Armageddon (1998)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Camera Operator , Director

The Rock (1996)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Cameras: Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Director

Bad Boys (1995)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Sled Agent

Vengeance: The Story of Tony Cimo (1986)

Television Movie

| USA

Directed by: Marc Daniels

Cinematography by: William Wages

Edited by: Paul Fried

Production Intern

Raiders of the Lost Ark (1981)

Motion Picture

| USA

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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Michael Bay

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Producer - P.g.a.

Camera Operator , Director, Executive Producer, Truck Passenger

Producer

Producer

Director, Producer

Producer

Producer

Camera Operator , Director, Executive Producer

Producer

Camera Operator , Director, Executive Producer, Script Consultant

Presenter, Producer

Producer

Presenter, Producer

Producer

Camera Operator , Director, Executive Producer, Guy Flicked By Megatron

Producer

Producer

Camera Operator , Director, Producer

Camera Operator , Crappy Car Driver, Director, Executive Soundtrack Producer

Producer

Camera Operator , Director, Producer

Photographer

Frat Boy

Director, NASA Scientist, Producer

Camera Operator , Director

Director

Sled Agent

Production Intern