Michael Bay

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Camera Operator (uncredited), Director, Executive Producer, Truck Passenger (uncredited)

Transformers: Age of Extinction (2014)

Motion Picture

| USA, China

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Lenses: Leica Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Producer

The Purge: Anarchy (2014)

Motion Picture

| USA, France

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Producer

Teenage Mutant Ninja Turtles (2014)

Motion Picture

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lula Carvalho

Edited by: Joel Negron, Glen Scantlebury

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Director, Producer

Pain & Gain (2013)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Producer

The Purge (2013)

Motion Picture

| USA, France

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Peter Gvozdas

Cameras: ARRI ALEXA Plus Camera

Editing System: Avid Editing System

Producer

I Am Number Four (2011)

Motion Picture

| USA

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Camera Operator (uncredited), Director, Executive Producer

Transformers: Dark of the Moon (2011)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Producer

A Nightmare on Elm Street (2010)

Motion Picture

| USA

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Camera Operator (uncredited), Director, Executive Producer, Script Consultant

Transformers: Revenge of the Fallen (2009)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Presenter, Producer

Horsemen (2009)

Motion Picture

| USA

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

Producer

Friday the 13th (2009)

Motion Picture

| USA

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Presenter, Producer

The Unborn (2009)

Motion Picture

| USA

Directed by: David S. Goyer

Cinematography by: James Hawkinson

Edited by: Jeff Betancourt

Cameras: Panavision Cameras

Producer

The Hitcher (2007)

Motion Picture

| USA

Directed by: Dave Meyers

Cinematography by: James Hawkinson

Edited by: Jim May

Camera Operator (uncredited), Director, Executive Producer, Guy Flicked By Megatron (uncredited)

Transformers (2007)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250mm T3.5 Lens, Angenieux HR Zoom Lenses, Cooke Lenses, Cooke Varotal Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

Producer

The Texas Chainsaw Massacre: The Beginning (2006)

Motion Picture

| USA

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Jonathan Chibnall, Jim May, Joel Negron

Camera Operator (uncredited), Director, Producer

The Island (2005)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Producer

The Amityville Horror (2005)

Motion Picture

| USA

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

Producer

The Texas Chainsaw Massacre (2003)

Motion Picture

| USA

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Glen Scantlebury

Camera Operator (uncredited), Crappy Car Driver, Director, Executive Soundtrack Producer

Bad Boys II (2003)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Camera Operator (uncredited), Director, Producer

Pearl Harbor (2001)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Photographer

Coyote Ugly (2000)

Motion Picture

| USA

Directed by: David McNally

Cinematography by: Amir Mokri

Edited by: William Goldenberg

Frat Boy

Mystery Men (1999)

Motion Picture

| USA

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Director, NASA Scientist (uncredited), Producer

Armageddon (1998)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Camera Operator (uncredited), Director

The Rock (1996)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Richard Francis-Bruce

Director

Bad Boys (1995)

Motion Picture

| USA

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Sled Agent

Vengeance: The Story of Tony Cimo (1986)

Television Movie

| USA

Directed by: Marc Daniels

Cinematography by: William Wages

Edited by: Paul Fried

Production Intern

Raiders of the Lost Ark (1981)

Motion Picture

| USA

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Cameras

Lenses: Panavision Lenses

20204.20

Michael Bay

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Camera Operator (uncredited), Director, Executive Producer, Truck Passenger (uncredited)

Producer

Producer

Director, Producer

Producer

Producer

Camera Operator (uncredited), Director, Executive Producer

Producer

Camera Operator (uncredited), Director, Executive Producer, Script Consultant

Presenter, Producer

Producer

Presenter, Producer

Producer

Camera Operator (uncredited), Director, Executive Producer, Guy Flicked By Megatron (uncredited)

Producer

Camera Operator (uncredited), Director, Producer

Producer

Producer

Camera Operator (uncredited), Crappy Car Driver, Director, Executive Soundtrack Producer

Camera Operator (uncredited), Director, Producer

Photographer

Frat Boy

Director, NASA Scientist (uncredited), Producer

Camera Operator (uncredited), Director

Director

Sled Agent

Production Intern

ShotOnWhat is Broken.