Zeiss Master Anamorphic 100mm T1.9 Lens | 5 Titles
Ice (2016)
| Cinematography by | Robert Aschmann, Christos Bitsakos, Maz Makhani | Editing by | Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Lenses
Dragged Across Concrete (2018)
Directed by | S. Craig Zahler | Cinematography by | Benji Bakshi | Editing by | Greg D'Auria
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 28mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
Good Boys (2019)
Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 180mm T2.8 Lens, Zeiss Master Anamorphic 28mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 40mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 60mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 35mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100mm T1.9 Lens, Zeiss Master Anamorphic 135mm T1.9 Lens, Zeiss Master Anamorphic 50mm T1.9 Lens, Zeiss Master Anamorphic 75mm T1.9 Lens