Brett Ridgeman
Dragged Across Concrete (2018)
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Director
Hacksaw Ridge (2016)
Directed by: Mel Gibson
Cinematography by: Simon Duggan
Edited by: John Gilbert
Link
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Voz
Machete Kills (2013)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: ARRI ALEXA Plus Camera
Driver, Producer - Produced By, Written By
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Walter Black
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Craven
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Porter
Payback: Straight Up (2006)
Directed by: Brian Helgeland
Cinematography by: Ericson Core
Edited by: Kevin Stitt
Director, Producer, Written By
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Himself
Who Killed the Electric Car? (2006)
Directed by: Chris Paine
Cinematography by: Thaddeus Wadleigh
Anger Management Therapy Patient, Producer
Paparazzi (2004)
Directed by: Paul Abascal
Cinematography by: Daryn Okada
Edited by: Robin Russell
Director, Producer, Screenplay, Soundtrack Producer
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Dr. Gibbon, Producer
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Rev. Graham Hess
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Lt. Col. Hal Moore
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Detective Skinner
The Million Dollar Hotel (2000)
Directed by: Wim Wenders
Cinematography by: Phedon Papamichael
Edited by: Tatiana S. Riegel
Cameras: Panavision Cameras
Benjamin Martin
The Patriot (2000)
Directed by: Roland Emmerich
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rocky
Chicken Run (2000)
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Martin Riggs
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scott The Body Piercer
Fathers' Day (1997)
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Frances' Father
FairyTale: A True Story (1997)
Directed by: Charles Sturridge
Cinematography by: Michael Coulter
Edited by: Peter Coulson
Jerry Fletcher
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Tom Mullen
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Director, Producer, William Wallace
Braveheart (1995)
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Mel Gibson
Casper (1995)
Directed by: Brad Silberling
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Cameras: Panavision Cameras
Director, Justin McLeod
The Man Without a Face (1993)
Directed by: Mel Gibson
Cinematography by: Donald McAlpine
Edited by: Antony Gibbs
Capt. Daniel McCormick, Executive Producer
Forever Young (1992)
Directed by: Steve Miner
Cinematography by: Russell Boyd
Edited by: Jon Poll
Martin Riggs
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Gene
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Mel Gibson
The Simpsons (1989)
Directed by: Mike B. Anderson, Mark Kirkland, Steven Dean Moore, Bob Anderson, Matthew Nastuk, Jim Reardon, Michael Polcino, David Silverman, Wesley Archer, Nancy Kruse, Chris Clements, Lance Kramer, Rob Oliver, Chuck Sheetz, Rich Moore, Matthew Faughnan, Timothy Bailey, Jeffrey Lynch, Susie Dietter, Pete Michels, Raymond S. Persi, Carlos Baeza, Swinton O. Scott III, Dominic Polcino, Neil Affleck, Michael Marcantel, Lauren MacMullan, Matthew Schofield, Ralph Sosa, Mark Ervin, Jen Kamerman, Milton Gray, Brad Bird, Kent Butterworth, John Harvatine IV, Gregg Vanzo, Alan Smart, David Mirkin, Klay Hall, Shaun Cashman, Guillermo del Toro, Don Hertzfeldt, Bill Plympton, Jennifer Moeller
Martin Riggs
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
McKussic
Tequila Sunrise (1988)
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Martin Riggs
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Fletcher Christian Master's Mate
The Bounty (1984)
Directed by: Roger Donaldson
Cinematography by: Arthur Ibbetson
Edited by: Tony Lawson
Cameras: J-D-C Camera, Joe Dunton Cameras
Ed Biddle
Mrs. Soffel (1984)
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman
Tom Garvey
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Frank Dunne
Gallipoli (1981)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Cameras: Panavision Cameras
Bearded Mechanic
The Chain Reaction (1980)
Directed by: Ian Barry
Cinematography by: Russell Boyd
Edited by: Tim Wellburn
Cameras: Panavision Cameras
Tim Melville
Tim (1979)
Directed by: Michael Pate
Cinematography by: Paul Onorato
Edited by: David Stiven
Max
Mad Max (1979)
Directed by: George Miller
Cinematography by: David Eggby
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
