Adobe Premiere Editing System | 159 Titles
DEC Ukraine Humanitarian Appeal (2022)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
Sya (2018)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier, Marie Paice
Cameras | Blackmagic Pocket Cinema Camera
Lady at Number 16 (2022)
Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Broken Eyes (2023)
Directed by | Eveshka Ghost
Cameras | Sony α7S Camera
Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses
White Blood (2023)
Directed by | Richard Williams | Cinematography by | Mark Brightwell
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 25 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
Galli (The Lane) (2015)
Directed by | Santosh Ram | Cinematography by | Benjamin Burghartz | Editing by | Vivekanand Daakhore
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon Lenses
Just My Imagination (2017)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
As the Dust Settles: A Participatory Documentary Shot at Burning Man (2013)
Directed by | Jamie Dee, Roger Ingraham, Jeremy Lubman, Katheryn Mcgaffigan, Tarynn Wiehahn | Cinematography by | Clayton H. Haskell, Stephen Martel Lucas | Editing by | Mike Hedge
Cameras | Red Digital Cinema Cameras
She’s So Cold (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Blood Cell (2019)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
Koschei the Deathless (2020)
Directed by | Sidney Berthier | Cinematography by | Matt Tallant | Editing by | Sidney Berthier, Anna Carey
They Love (2014)
Directed by | Daniel Sowter | Cinematography by | Mat Dean | Editing by | Marie Paice
Cameras | Sony HDR-FX1 Camera
Her Satanic Majesty (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Angie Lemaire (2019)
Directed by | Sidney Berthier | Cinematography by | Danielius Gedvilas | Editing by | Sidney Berthier, Sarah Cowan, Kiana Rad
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
French Story (2024)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Lenses | Zeiss Jena Lens
Hail, Caesar! (2016)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Everything Everywhere All at Once (2022) 
Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers
Cameras | ARRI ALEXA Mini Camera
Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses
Pavilion (2022)
The Killer (2023)
Sharp Instinct (2023)
Directed by | Callum McLelland | Cinematography by | Callum McLelland | Editing by | Callum McLelland
Cameras | Panasonic Cameras
