Sony α7 Series Cameras | 30 Titles
Lost Gold of WW2 (2019)
| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios
Hacking the Wild (2017)
Editing by | Andrew Kimble
Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
FML (2016)
Directed by | Jason Nash | Cinematography by | Tobias Deml
Cameras | Sony α7R II Camera, Sony α7S II Camera
Fifth Story (2024)
Directed by | Maxance Louvety | Cinematography by | Enzo Kristensen | Editing by | Sam Kun
Lenses | Canon EF 100mm f/2.8L Macro Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens, KMZ Helio 44-2 58 mm f2 Lens, KMZ Helios 44 58 mm f1.2, Laowa 24 mm f/14 2X Macro Probe Lens, Lensbaby Composer Pro II + Sweet 35 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Sigma 105mm f2.8 EX DG OS HSM Macro Lens, Sigma 35mm f1.4 DG HSM Lens, Sony FE 24mm F1.4 G Master Series Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
American Animals (2018)
Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart
Dark Side of Football (2021)
Directed by | Jason Sklaver | Editing by | Daniel Holechek
Cameras | ARRI ALEXA Mini Camera, Sony α7S II Camera
Lenses | Angenieux EZ Series Lenses, Cooke Lenses, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens
The Dinosaur Hour Extra (2023)
Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier
Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
DEC Ukraine Humanitarian Appeal (2022)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
Broken Eyes (2023)
Directed by | Eveshka Ghost
Cameras | Sony α7S Camera
Lenses | KMZ Helio 44-2 58 mm f2 Lens, Samyang Lenses
Slender Man (2018)
Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York
Cameras | Sony PMW-F55 Camera, Sony α7S II Camera
Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses
Towards the light (2022)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 Series Cameras
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
Return of the Thumb (2018)
Directed by | Florian Schmidt-Convey | Cinematography by | Costa Konstantinou | Editing by | Florian Schmidt-Convey
Cameras | Blackmagic Design Cameras, Blackmagic URSA Camera, Canon Cameras, Canon EOS-C100 Camera, Canon EOS-C300 Camera, Sony Cameras, Sony α7 Series Cameras, Sony α7S Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses, Canon L Series Lenses, Canon Lenses, Zeiss Lenses, Zeiss ZF.2 85mm Planar f1.4 Lens, Zeiss ZF.2 Prime Lenses
Cooper’s Treasure (2017)
| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
Nécrologies (2018)
Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message
Cameras | Sony PMW-F3 Camera, Sony α7S Camera
Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
Empire Hotel (2018)
Directed by | Ivo Ferreira | Cinematography by | Susana Gomes | Editing by | Sandro Aguilar
Cameras | Sony α7S II Camera
Lenses | ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
