Cameras » Sony Cameras » Sony PXW-FS7 Camera

Sony PXW-FS7 Camera | 9 Titles

Rate It

LessUpdatedTitleYear

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.39:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

Lost Gold of WW2 (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Simon Wagen, Steve Purcell | Editing by | Kevin Browne, Alpesh Patel, Whitney Dunn, Steven Santos, Paul McAleavey, Dennis Schoffstall, Troy Rackley, Antony Berrios

Starring | John Casey, Bingo Minerva, Manny Paez, Brad Carr

Cameras | GoPro HERO5 Black, Sony PXW-FS7 Camera, Sony α7R II Camera, Sony α7S II Camera

Lenses | Fujinon Premier Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Hacking the Wild (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

Editing by | Andrew Kimble

Cameras | Sony PXW-FS7 Camera, Sony α7S II Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Natural Vice (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 81 Minutes

Directed by | Izzy Traub | Cinematography by | Tobias Deml | Editing by | Gehrig Burnett Jr.

Starring | Brent Harvey, Jovanna Nicole, Allen Theosky Rowe, Aria Emory

Cameras | Sony PXW-FS7 Camera

Lenses | Canon Lenses

Prashna (2020)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Pravin Anarase

Starring | Parmeshwar Devkate, Anjali Jadhav, Ganesh Jadhav

Cameras | Sony PXW-FS7 Camera

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Annabelle Hooper and the Ghosts of Nantucket (2016)

Motion Picture, Television Movie | 4K Project, UHD Project | Color | 92 Minutes

Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean

Starring | Bailee Madison, Robert Capron, Rachel Resheff, Mavrick Moreno

Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera

Lenses | Zeiss Compact Prime Lenses

©2012 - 2024 ShotOnWhat?

20254.20